In 2022 New Media faculty probed the strengths and weaknesses of NFTs and TikTok, two of the biggest digital trends in recent years. Their research was cited in Wired, Forbes, and The New York Observer and presented in conferences in New York, London, Instanbul, and Shanghai.
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The Internet has recently been blamed for undermining democracy, eroding trust in facts, and stoking partition divides. A conference organized by New Media and Digital Curation examines a proposal to rekindle faith in a safe and trustworthy web.
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Even during an economic downturn, digital curation openings surged 61% from 2019 to 2021, according to a recent study conducted by UMaine’s Digital Curation faculty. One cause may be the pandemic’s effect on institutions that depend on public outreach and access, which have increasingly turned to new techniques for engaging their audiences over the Internet.
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Legal evidence, like other forms of information, has become increasingly electronic. Shelley Lightburn of the International Court of Justice examines how the digital revolution is impacting the judicial process in the latest teleconference in UMaine’s Digital Curation program.
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Recent headlines about digital art selling for millions of dollars are evidence the rise of NFTs has shaken the art world. In a series of public talks and workshops, New Media faculty show how NFTs work and how to separate their promise from the hype.
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From a web-based gallery of videos, to a virtual opening surrounded by 3d mountains, to an afterparty conversation around a digital campfire, this year’s New Media seniors found unusual ways to celebrate their innovative capstones with their families and classmates.
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UMaine’s Digital Curation program is thrilled to host a free public webinar with “free-range archivist” Jason Scott on Wednesday 5 May at 2pm EDT as part of its regular teleconference series.
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For the 2020 Maine Archives and Museums conference on October 8th, New Media professor Jon Ippolito offers a virtual but hands-on workshop that walks curators through making an iPhone or Android app to engage visitors with their collections.
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How has the boundary between art and non-art shifted in the Internet age, and what does that mean for design, activism, science, and other creative activities? This question is the subject of a Dario Moalli’s fall 2019 interview with New Media faculty and Still Water co-directors Joline Blais and Jon Ippolito in the venerable periodical […]
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