The Periplum
James Wilson, “His own Skiffsman: Pound, China, & Cathay Revis[it]ed”
Line Henriksen, “Chiarosuro: Canto 36 and Donna Mi Prega“
A. David Moody, “‘EP with Two Pronged Fork of Terror and Cajolery’: The Construction of His Anti-Semitism (up to 1939)”
John W. Maerhofer, Jr., “Towards an Esthetic of Translation: An Examination of Ezra Pound’s Translation Theory”
Bill Friend, “‘All Wandering as the Worst of Sinning’: Don Juan and The Cantos“
Stephen Sicari, “Pound as Archeologist: Reconstructing Nature”
Anna Xiao Dong Sun, “The Man That Is Waiting: Remarks on Li Po’s ‘Chokan Shin’ and Pound’s ‘The River-Merchant’s Wife’”
Greg Barnhisel, “Ezra Pound, James Laughlin and New Directions: The Publisher as Spin Doctor”
Yoshika Kita, “Ezra Pound and Haiku: Why Did Imagists Hardly Mention Basho?”
Kevin Arthur Wong, “Blurring of Poet and Persona in Pound’s Hugh Selwyn Mauberly“
Nicolas Z. Ambrus, “The White Light That is Allness: Ezra Pound’s Cantos on Love”
The Explicator
Anna Kventsel, “The Crystallization of Pound’s Canto LXXIV”
The Documentary
A. David Moody, “‘The Walk There Is Good Poetry’: The Missing Rochechouart Notebook of Pound’s 1912 Walking Tour”
The Obituary
Massimo Bacigalupo, “Vanni Scheiwiller, “Italian publisher of Ezra Pound”
The Reviewer
Wayne Pounds (Il Mare: Supplemento Letterario 1932-1933)