The Periplum
Edgar M. Glenn, “Serendipitous Aphrodite in Ezra Pound’s Canto 1”
Ping Xu, “‘Rose-Cherry-Sunset-Iron Rust-Flamingo’ Diagram and the Genesis of Ezra Pound’s Ideogrammic Method”
Ricard Read, “The Letters of Adrian Stokes and Ezra Pound”
Massimo Bacigalupo, “Pound’s Pisan Cantos in Process”
Tony Tremblay, “The Literary Occult in the Letters of Marshall McLuhan and Ezra Pound”
Julia Trubikhina, “Imagists Rejected: Vengerova, Pound, and a Few Do’s and Don’ts of Russian Imaginism”
Shu Jiang Lu, “Fenollosa, Pound and Chinese Poetry”
Guiyou Huang, “‘The Parisians and Flemings’: Pound’s Perception of Modern French Literature”
The Explicator
Sylvan Esh, “Sunset Flying: The Poetic Function in Pound’s Canto 17”
Yu Zhang, “‘The River-Merchant’s Wife: A Letter’: On Mistranslation of the two Allusions”
The Documentary
Cameron McWhirter, “‘The Dean of Corpses’: The Correspondence of Ezra Pound and Joseph Vogel”
The Vortex
Catharina Blomberg, “The Sixteenth Ezra Pound International Conference in Brantôme: ‘Ezra Pound and France’”
Walter Baumann, “Photo Gallery of the Sixteenth Ezra Pound International Conference”
The Reviewer
Alec Marsh (Thomas F. Grieve, Ezra Pound’s Early Poetry and Poetics)
Robert Kibler (Mary Paterson Cheadle, Ezra Pound’s Confucian Translations)
Constance Hunting (Mary de Rachewiltz, Whose World? Selected Poems)