The Periplum
Songpin Jin, “Observation of Natural Scenes: Ta Hsüeh and Pound’s Later Cantos”
Fan A. Shen, “Yijing and Pound’s Cantos (1) and (2)”
Xiaomei Chen, “Rediscovering Ezra Pound: A Post-Colonial ‘Misreading’ of a Western Legacy”
Christine Syros, “Beyond Language: Ezra Pound’s Translation of the Sophoclean Elektra“
Jonathan Brewer, “Practice, ‘Taught and the Not Taught,’ in The Pisan Cantos“
Piotr Parlej, “The Provence of the North: Pound’s Poetics of Tension”
Peter Crisp, “Pound as Gnostic? Creative Mythology and the Goddess”
Ethan Lewis, “Super-Position: Interpretive Metaphor”
The Explicator
Songpin Jin, “Flowers, Wings, in the Garden Enclosure”
Martin Scott, “The Transcendental Ideogram: The Influence of Emerson on Ezra Pound’s Ideogrammic Method”
Omar S. Pound, “Canto LXXV: Clement Janequin & Arrangements of His Text: ‘Canzoni di Li Ucelli’”
Douglas Bruster, “Pound, Frost, and ‘Literary Integrity’ at Harvard”
The Vortex
Yorio Hirano, “Report of the 14th Annual Conference of the Japan Ezra Pound Society”
Shinji Watanabe, “Report on the Fifteenth Annual Meeting and Conference of the Ezra Pound Society of Japan at Rikkyo University, October 30, 1993”
The Reviewer
Timothy Materer (Leon Surette, The Birth of Modernism: Ezra Pound, T. S. Eliot, W. B. Yeats, and the Occult)
Robert Spoo (A Walking Tour in Southern France: Ezra Pound among the Troubadours, ed. Richard Sieburth)
Tony Tremblay (Gail McDonald, Learning to Be Modern: Pound, Eliot, and the American University)