The Periplum
A. Walton Litz and Omar Pound, “An Unpublished Poem of 1909”
Massimo Bacigalupo, “Pound Studies in Italy, 1991”
James Generoso, “I Reckon You Pass, Mr. Wuddwudd”
Archie Henderson, “Pound, the War, and ‘The Banquet’ (1916)”
Songpin Jin, “Fenollosa and ‘Hsiao Hsüeh’ Tradition”
Guiyou Huang, “Ezra Pound: (Mis)Translation and (Re-)Creation”
Christina DuVernay, “‘And Halo Projects from Incision’: Ezra Pound’s Deification of Henry Gaudier-Brzeska”
Sylvan Esh, “Pound and Jakobson: The Metaphorical Principle in The Cantos“
The Reviewer
Ira B. Nadel (Ezra Pound’s Poetry and Prose, Contributions to Periodicals)
John C. Hirsch (Reed Way Dasenbrock, Imitating the Italians: Wyatt, Spencer, Synge, Pound and Joyce)
Demetres P. Tryphonopoulos (Ezra Pound: Drafts and Fragments of Cantos CX-CXX, tr. Charles Vlavianos)
Jo Ellen Green Kaiser (Scott Hamilton, Ezra Pound and the Symbolist Inheritance)
Philip Furia (Jerome McGann, Toward a Literature of Knowledge)
The Explicator
Omar Pound, “Canto 113: Tweddell, Men against Death and Paul de Kruif”
Donald Gallup, “Ezra Pound’s Experiment for Esquire)
Pamela E. Hurley, “Ezra Pound’s ‘Yeux Glauques’”
Hugh Witemeyer, “Oliver Wendell Holmes, William Dean Howells, and Ezra Pound’s ‘Apostolic Succession’”
Robert C. Merritt, Jr., “‘Witching Music’: Several Examples of How Pound Adopted the Musicological Discoveries of Arnold Dolmetsch”
Jee Young Lee, “Eating”
Patrick McGuiness, “A Note on ‘The Muses’ Diadem’”
Ursula Shioji, “‘Hokku-Like’ Elements in Canto IV”
John Espey, “‘Mihites in Pennsylvania’ (71/418)”
Éva Nagy, “Jónás, Pull down Your Vanity: The Artist’s Commitment as Seen by Ezra Pound and Mihály Babits”
Avril Horner, “The ‘Intelligence at Bay’: Ezra Pound and Geoffrey Hill”
Ethan Lewis, “‘This Hulme Business’ Revisited, or Of Sequence and Simultaneity”