The Periplum
Walter Baumann, “Yeats and Ireland in The Cantos“
Paul Skinner, “Pounding, Hoofing, Kipling: Attitudes to Rudyard Kipling in the Writings of Ezra Pound and Ford Madox Ford”
Tim Dean, “How Long Is the Pound Era?”
Marinelle Ringer, “The Rhythmic Structure of Pound’s Canto IV”
Norman Wacker, “The Subject Repositioned / The Subject Repossessed: Authority and the Ethos of Performance in The Pisan Cantos“
Steven Yao, “‘And With You Especially, There Was Nothing at Cross-Purpose’: Pound’s Treatment of Women in Cathay“
Maria Luisa Ardizzione, “Pound’s Language in Rock-Drill, Two Theses for a Genealogy”
The Explicator
Elizabeth Bruce, “Empedocles’s Golden Age of Aphrodite in Pound’s Later Cantos”
K. Narayana Chandran, “Ezra Pound’s ‘Meitatio’: Two Notes”
Songping Jin, “‘The Coral Face,’ ‘The Tree of the Visages’ and the Cherry Tree”
Sylvan Esh, “‘In a Station’: Provence, London”
Jyan-Lung Lin, “Pound’s ‘In a station of the Metro’ as a Yugen Haiku”
Richard R. O’Keefe, “Impingement: The End of Pound’s Canto LXXX“
David Gordon, “The Golden Caesura (2)”
Documentary
Lawrence S. Rainey, “A Poem Including History [facsimile reprint]”
Ira B. Nadel, “The Cantos of Ezra Pound . . . . . . A Poem Including History: A Checklist of Items on Exhibit at the Beinecke Rare Book & Manuscript Library 20 October-22 December 1989”
Sebastian D. G. Knowles, “Ezra Pound to Alice Steiner Amdur, 23 January 1937”
Archie Henderson, “Addenda to ‘Pound Centennial Events: A Checklist’”
The Reviewer
Laura Cowan (James Longenbach, Stone Cottage: Pound, Yeats, and Modernism)
Cover: Japanese Tea Garden, Botanical Garden, Denver, Colorado. Photograph by Marie Alpert.