Paideuma 16.3
The Periplum
Marjorie Perloff, “Fascism, Anti-Semitism, Isolationism: Contextualizing the ‘Case of EP’”
William McNaughton, “New Light on the Pisan Cantos and Rock-Drill: Milton Friedman and Herman Kahn”
Thomas Cole, “Ezra Pound and Imagi“
Robert McMahon, “Homer/Pound’s Odysseus and Virgil/Ovid/Dante’s Ulysses: Pound’s First Canto and the Commedia“
The Explicator
Archie Henderson, “More on James Douglas Peck”
Archie Henderson, “A Further Note on ‘The Return’”
Mohammad Shaheen, “Pound and Itrat-Husain”
Bruce Fogelman, “Beddoes in the Sea Surge, or a Glimpse of The Cantos in 1908″
David Gordon, “A Rayogram M. 7306 YAO4“
Documentary
Carrie N. Edlund, “Picabia’s Ply over Ply”
Petr Mikeš, “Ezra Pound in Czechoslovakia”
J. Ellen Gainor, “Elektra by Ezra Pound, The Classic Stage Company, November 1-29, 1987″
The Reviewer
Philip Furia (William Cookson, A Guide to the Cantos of Ezra Pound; Christine Froula, A Guide to Ezra Pound’s Selected Poems)
John Tucker (Reed Way Dasenbrock, The Literary Vorticism of Ezra Pound and Wyndham Lewis: Towards the Condition of Painting)
Donald Gallup (Christine Froula, To Write Paradise: Style and Error in Pound’s Cantos)
•
This cover image shows the Apostle Paul on the wall of Galla Placidia’s Mausoleum. See cantos 76/455 and 110/780.