Special Issue
EZRA POUND AND AFRICAN AMERICAN MODERNISM
Guest edited by Michael Coyle
CONTENTS
Michael Coyle, “Introduction”
Pound and the Poets of African American Modernism
Kathryne V. Lindberg, “Rebels to the Right/Revolution to the Left: Ezra Pound and Claude McKay in ‘The Syndicalist Year’ of 1912”
Jonathan Gill, “Ezra Pound and Langston Hughes: The ABC of Po’try”
C. K. Doreski, “Reading Tolson Reading Pound: National Authority National Narrative”
Reed Way Dasenbrock, “Why the Post in Post-Colonial Is Not the Post in Post-Modern: Homer, Dante, Pound, Walcott”
African American Presences in Pound’s Work
Alec Marsh, “Letting the Black Cat out of the Bag: A Rejected Instance of ‘American-Africanism’ in Pound’s Cantos“
Aldon Lynn Nielsen, “Ezra Pound and ‘The Best-Known Colored Man in the United States”
Burton Hatlen, “Ezra Pound, New Masses, and the Cultural Politics of Race circa 1930″
Kevin Young, “Visiting St. Elizabeth’s: Ezra Pound, Impersonation, and the Mask of the Modern Poet”
Primary Materials
David Roessel, “‘A Racial Act’: The Letters of Langston Hughes and Ezra Pound”
Reviews on African American Modernism
Mary Ann Calo, “Review Essay on Modernism, Visual Culture and the Harlem Renaissance”
Kevin J. H. Dettmar (Michael North, The Dialect of Modernism: Race, Language, and the Twentieth-Century Literature)
Review on Pound
Alec Marsh (The Cambridge Companion to Ezra Pound, ed. Ira Nadel)