Essays
George Bornstein, “What Does a Collected Edition Collect? Mapping Modernist Poetry”
Carla Billitteri, “The Passion of Becoming an Object”
Thomas Day, “‘A Broken Coriolanus’: Poetics, Politics, and Self-Surrender”
Enikő Bollobás, “Canon Politics and Experimental Writing: The Example of L’Encre Sympathique of Robert Duncan’s H.D. Book“
Donna Krolik Hollenberg, “‘The Deeper Unsatisfied War’: Robert Duncan’s Poems for H.D.”
Catherine A. Rogers, “H.D.’s Erotic and Aesthetic Gospel in Notes on Thought and Vision“
Richard A. Iadonisi, “Amy Lowell and the Gendered Aesthetics of Haiku”
Patricia Cockram, “Tard, Très Tard: Ezra Pound and France”
Zhaoming Qian, “Ezra Pound and His First Chinese Contact for and against Confucianism”
J. Mark Smith, “The Sign of the Translators: I. A. Richards, Ezra Pound, and ‘Debabelization’”
Mark McMorris, “Zukofsky’s Bilingual Catullus: Theoretical Articulations”
Reviews
Stephen J. Adams (Cavalcanti: A Perspective on the Music of Ezra Pound, ed. Robert Hughes and Margaret Fisher; and Margaret Fisher, Ezra Pound’s Radio Operas)
Bernard Dew (The Ezra Pound Encyclopedia, ed. Demetres Tryphonopoulos and Stephen J. Adams)
Timothy Materer (Miranda B. Hickman, The Geometry of Modernism: The Vorticist Idiom in Lewis, Pound, H. D., and Yeats)
Lesley Wheeler (Cristanne Miller, Cultures of Modernism: Marianne Moore, Mina Loy, and Else Lasker-Schuler: Gender and Literary Community in New York and Berlin; and Critics and Poets on Marianne Moore: “A Right Good Salvo of Barks,” ed. Linda Leavell, Cristanne Miller, and Robin G. Schulze)