Insects Everywhere!

Decorative image with drawings of various insects.

Humans and insects have shared planet Earth for millennia. Undoubtedly starting out as a food source for early primates, insects have been adopted into the philosophy, religions, and folklore of multiple human cultures around the globe. From the celebration of insects like butterflies and scarab beetles in art and material culture to the domestication of honey bees and silk moths for agriculture and industry, the relationship of humans to insects is inexorably connected. In this virtual exhibit you can explore items from the Hudson Museum’s collections representing cultural perceptions of insects from around the world.

Image of a ceramic bowl with a wide, tall neck. The outside of the vessel is covered in intricate designs.

Maya Vase
AD 600 – 900

This Maya vase features an insect wearing the “sabak” over its ear and the nik emblem from its hat. The insect represents Mok Chi, the Maya god of beekeeping.

Grayscale drawing of a honey bee.
Image of a tiny poncho with red, black, and yellow stripes.

Inca Infant Poncho
AD 1964 – 1969

The red in this Inca textile is from cochineal dye. The dye is produced by extracting carminic acid from a scale insect (Dactyloplus coccus) native to tropical and subtropical South America and Mexico. The red dye is not just found in textiles. Popular foods and drunks such as strawberry yogurt, ice cream, ketchup, and soft drinks sometimes contain cochineal dye labeled as carmine. In recent years it has been phased out of many foods and beverages and replaced by other natural, often plant-based dyes.

Grayscale drawing of a beetle.
Image of a colorful metal mask with the face of a dragon, horns, smaller dragons on the top, and a large spider between the eyes.

Diablo Dance Mask
AD 20th Century

This mask was made for the Dance of the Devils, a part of the annual carnival in the Bolivian Andes. The region has many tin and silver mines and the miners make offerings to the tio or devils to prevent accidents and to help them find precious metals. The spider and dragons represent beings that have special powers vital to the survival of the miners.

Grayscale drawing of a moth.
Image of a ceramic vessel in the shape of a caterpillar with faces painted at each leg along the side.

Nasca Centipede Vessel
BCE 200 – AD 600

The Nasca culture of the arid southern coast of Peru created extraordinary polychrome pottery, often using multiple colors. This vessel probably depicts the Peruvian giant yellowleg centipede (Scolopendra gigantean), which reaches a length of nearly 12 inches!

Grayscale drawing of a centipede.
Image of a brightly-painted wooden mask in the form of a scorpion. A face has been carved on the back of the scorpion, which matches up with the wearer, and the tail of the scorpion sticks up above the face. Six "legs" are separate pieces that slot into holes on the sides of the mask.

Mexican Scorpion Mask
AD 1950

This traditional dance mask is in the shape of a scorpion and was used in harvest celebration rituals.

Grayscale drawing of a dragonfly.
Image of a wooden mask in the shape of a butterfly with the face of Jesus, complete with blue eyes.

Mexican Dance Mask
AD 19th Century

Although the butterfly was a frequent motif in Precolumbian art, it is an uncommon mask form. The butterfly was a symbol of renewal and transformation – themes also found in the Christian religion introduced by Spanish colonists.

Grayscale drawing of a butterfly.
Image of a tiny ceramic figurine of a humanoid with a headdress and little balls on the hands.

Precolumbian Figurine
AD 100 – 750

With striped wings on its back and balls of pollen in its hands, this Teotihuacan ceramic figurine represents the bee god. Honey was used by Mesoamerican societies to sweeten foods and drinks.

Grayscale drawing of a honey bee.
Image of a brightly-painted, flat wooden headdress with feathers at the top. It features corn and two butterflies.

Hopi Tableta
AD 20th Century

Tabletas are worn by Hopi girls during the butterfly dance held in August or early September each year. The elaborately painted headdress, also called a “kopatsoki,” is made by their dance partner. This example features butterflies, stepped designs, feathers, and corn plants.

Image of a small rattle - it appears as a narrow stick painted in black and white stripes and topped with a plume of feathers.

Miwok Cocoon Rattle
AD 1980 – 1990

Now produced as tourist souvenirs, cocoon rattles were once handled only by shamans among the Sierra Miwok. The Coastal Miwok used cocoon rattles made by women for curing illness and in dance ceremonies.
A cocoon filled with small pebbles or beans sits within the cluster of feathers at the top of the rattle.

Image of a bracelet made of sac-shaped cocoons in a ring and attached at the end with green ribbon.
Grayscale drawing of a luna moth.

Tohono O’odham Ankle Rattle
AD 19th Century

Strings of cocoons containing gravel are worn as ankle rattles by dancers. The cocoons are often painted white to keep them looking new.

Image of the top of a basket. In the center is a small, simple butterfly made of thin pieces of undyed wood framed against a square of brown at the crown of the basket's cover.

Katahdin Butterfly Basket
Fred Tomah, Maliseet
AD 2003

The Katahdin Arctic butterfly (Oeneis polixenes katahdin) is the only endemic butterfly on Katahdin. A holdover from Maine’s ice age past, this small butterfly lives above 4,000 feet in the sedges and grasses of the open tundra. This basket honors both the butterfly and the mountain that it calls home.

Image of a small birchbark container. The side has been etched leaving the image of a dragonfly set against a light background.
Grayscale drawing of a dragonfly.

Birchbark Container
Barry Dana, Penobscot
AD 1996

This container features a dragonfly on each side. Barry often includes dragonflies in his works.

Image of a fly whisk made of long strands of grass held together at one end by a beaded handle.

Liberian Fly Whisk
AD 19th Century

Image of a carved wooden mask. The center features a face with wings to each side.

Miniature Butterfly Mask
AD 20th Century

This mask from Mali or Burkina Faso takes the form of a butterfly. Masks are frequently use in religious ceremonies to communicate with Dwo/Do, a deity who protects humanity and grants rain to farmers.

Rhinoceros Beetle Necklace
AD c. 1960

The Kofan are a people indigenous to South America where they live among the tributaries of the Amazon River. They are known in part for their insect jewelry, such as this example made with the heads of a species of Rhinoceros beetle (probably Megasoma sp.).

Image of a tiny oval stone carved with an intricate design.

Egyptian Scarab
BCE 1550 – 342

The scarab amulet’s use and meaning in Egypt changed through time. Among types of scarabs known are ornamental scarabs, commemorative scarabs, and scarab charms bearing good luck mottoes and slogans. Most scarabs were worn as pendants and many served double-duty as seals to make impressions in clay. The glyph inscription here reads “Amon-Re is watchful.”

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Image of a tiny oval stone carved with symbols.

Egyptian Scarab
BCE 2040 – 1550

Possibly from the Early Middle Kingdom to Late Intermediate Period, this scarab is inscribed with symbols for Amon-Re, Life, and with a flowering reed.

Image of a colorful porcelain plate featuring a wide array of plants and animals, including butterflies and birds.

Chinese Export Porcelain
AD 19th Century

Butterflies are symbols of summer and joy in Chinese culture and are commonly depicted in art.

Image of a small shoe with intricate embroidery.

Chinese Lady’s Shoe for Bound Feet
AD 19th Century

This traditional shoe was made with silk applique and silk embroidery. Before pupating, a silkworm spins a continuous thread cocoon in a succession of S-shaped loops nearly 4,000 yards long. Silkworm threads are too fine to be woven individually. Before being used in making things like this shoe, six to eight threads are wound together to create a strand of uniform thickness.

Image of a small, pale, carved stone cicada on a black background.

Chinese Jade Pendant
BCE 202 – 220

The cicada, as a symbol of rebirth, predated Buddhism in China by 400 – 1,000 years. The cicada holds the world record for loudest insect. Only males are capable of producing the loud buzzing sound, which can be heard from over half a mile away. One species of cicada spends 17 years underground before metamorphosing into their mature adult stage. Within a few short weeks the adult cicadas sing, mate, lay eggs, and die.

Learn more about the Katahdin Arctic Butterfly