{"id":4329,"date":"2024-04-05T14:29:40","date_gmt":"2024-04-05T18:29:40","guid":{"rendered":"https:\/\/umaine.edu\/spire\/?p=4329"},"modified":"2024-04-05T14:30:04","modified_gmt":"2024-04-05T18:30:04","slug":"st-claire","status":"publish","type":"post","link":"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/","title":{"rendered":"Poetry Series: Five Haiku Sequences"},"content":{"rendered":"

By Joshua St. Claire<\/strong><\/p>\n

 <\/h3>\n

Bio <\/h3>\n

Joshua St. Claire is an accountant from a small town in Pennsylvania who works as a financial director for a large non-profit. His haiku and related poetry have been published broadly including in The Asahi Shimbun, Modern Haiku, The Heron\u2019s Nest, and Mayfly<\/em>. He has received recognition in the following international contests\/awards for his work in these forms: the Gerald Brady Memorial Senryu Award, the Vancouver Cherry Blossom Festival Haiku Invitational, the San Francisco International Award for Senryu, the Touchstone Award for Individual Haiku, the British Haiku Society Award for Haiku, and the Trailblazer Award.<\/p>\n

 <\/p>\n

\n

Spring Haiku<\/h3>\n

the Angelus<\/span><\/p>\n

a chickadee pecks<\/span><\/p>\n

through sillion<\/span><\/p>\n

 <\/p>\n

Decoration Day<\/span><\/p>\n

another year without<\/span><\/p>\n

the scent of lilacs<\/span><\/p>\n

 <\/h3>\n

robin\u2019s nest<\/span><\/p>\n

a cowbird flings down<\/span><\/p>\n

the sky<\/span><\/p>\n

 <\/h3>\n

Paschal Moon<\/span><\/p>\n

at the feet of St. Teresa<\/span><\/p>\n

fleabane<\/span><\/p>\n

 <\/h3>\n

rising tide<\/span><\/p>\n

the waves bring in<\/span><\/p>\n

sunset <\/span><\/p>\n

 <\/h3>\n

no closer to God returning geese <\/span><\/p>\n

 <\/h3>\n

cowbird chick<\/span><\/p>\n

what we thought<\/span><\/p>\n

we knew<\/span><\/p>\n

 <\/h3>\n

pressed pansies<\/span><\/p>\n

in her diary<\/span><\/p>\n

old lovers<\/span><\/p>\n

 <\/h3>\n

broken tulips somehow more beautiful like this<\/span><\/p>\n

 <\/h3>\n

Anglicana<\/span><\/p>\n

cirrus intortus<\/span><\/p>\n

cross the horizon<\/span><\/p>\n

 <\/p>\n

\n

Summer Haiku<\/h3>\n

the cicada\u2019s hum<\/span><\/p>\n

fades into the background<\/span><\/p>\n

window air conditioner<\/span><\/p>\n

 <\/h3>\n

great blue heron<\/span><\/p>\n

a thunderhead towering<\/span><\/p>\n

over the Chesapeake<\/span><\/p>\n

 <\/h3>\n

sweet tea<\/span><\/p>\n

it\u2019s not the heat<\/span><\/p>\n

it\u2019s the humidity<\/span><\/p>\n

 <\/h3>\n

nothing much to it summer night<\/span><\/p>\n

 <\/h3>\n

describing<\/span><\/p>\n

her ancestral plantation<\/span><\/p>\n

oleander<\/span><\/p>\n

 <\/h3>\n

Queen Anne’s lace<\/span><\/p>\n

she weaves garlands<\/span><\/p>\n

of globular clusters<\/span><\/p>\n

 <\/h3>\n

yes, but that was in another life<\/span><\/p>\n

                                                         golden lotus<\/span><\/p>\n

 <\/h3>\n

a golden hand<\/span><\/p>\n

hands me a golden melon<\/span><\/p>\n

Summerland<\/span><\/p>\n

 <\/h3>\n

longleaf pines<\/span><\/p>\n

an egret fishing<\/span><\/p>\n

for a crocodile\u2019s eyes<\/span><\/p>\n

 <\/h3>\n

dandelion clocks perfectly still Arcadia<\/span><\/p>\n

 <\/h3>\n

sirens<\/span><\/p>\n

pulling me the earth<\/span><\/p>\n

scent of white clover<\/span><\/p>\n

 <\/p>\n

\n

Autumn Haiku<\/h3>\n

lengthening shadows<\/span><\/p>\n

a dog barks at <\/span>something<\/del><\/span><\/p>\n

nothing <\/span><\/p>\n

 <\/p>\n

sand plover nest<\/span><\/p>\n

the waves ripple a feather<\/span><\/p>\n

star\u2019s arms<\/span><\/p>\n

 <\/p>\n

funnel web<\/span><\/p>\n

a grass spider crossing<\/span><\/p>\n

the event horizon<\/span><\/p>\n

 <\/p>\n

laughing gull<\/span><\/p>\n

a rogue wave engulfs<\/span><\/p>\n

the kite flyer<\/span><\/p>\n

 <\/p>\n

the waves<\/span><\/p>\n

curl around the moon<\/span><\/p>\n

darkness returns<\/span><\/p>\n

 <\/p>\n

discussing the difference<\/span><\/p>\n

between bravery and courage<\/span><\/p>\n

pileated woodpeckers<\/span><\/p>\n

 <\/p>\n

stations of the cross<\/span><\/p>\n

                                     a bloodied buck staggers under a blackthorn<\/span><\/p>\n

 <\/p>\n

flying fish<\/span><\/p>\n

reach Fumalsamakah<\/span><\/p>\n

Atlantic blue marlin<\/span><\/p>\n

 <\/p>\n

a tern\u2019s cry<\/span><\/p>\n

further and further…<\/span><\/p>\n

white horses<\/span><\/p>\n

 <\/p>\n

Shaula and Lesath<\/span><\/p>\n

the play of light<\/span><\/p>\n

in the buck’s blood<\/span><\/p>\n

 <\/p>\n

\n

Winter Haiku<\/h3>\n

snowman<\/span><\/p>\n

the boys put a carrot nose<\/span><\/p>\n

on Meissa <\/span><\/p>\n

 <\/p>\n

each and every joint<\/span><\/p>\n

                                            nor’easter<\/span><\/p>\n

 <\/p>\n

insomnia<\/span><\/p>\n

the Quiet moon<\/span><\/p>\n

on snow<\/span><\/p>\n

through birches <\/span><\/p>\n

 <\/p>\n

amaryllis<\/span><\/p>\n

red cheeks<\/span><\/p>\n

out in the snow<\/span><\/p>\n

 <\/p>\n

sarcophagus<\/span><\/p>\n

bare branches<\/span><\/p>\n

entombed in ice<\/span><\/p>\n

 <\/p>\n

snow squall<\/span><\/p>\n

a wild hare<\/span><\/p>\n

turns white<\/span><\/p>\n

 <\/p>\n

winter carnival<\/span><\/p>\n

the whirling eddies<\/span><\/p>\n

of drifting snow<\/span><\/p>\n

 <\/p>\n

thundersnow<\/span><\/p>\n

rounding the horizon<\/span><\/p>\n

a cougar’s breath<\/span><\/p>\n

 <\/p>\n

beaver moon<\/span><\/p>\n

what has fallen down<\/span><\/p>\n

has fallen down<\/span><\/p>\n

 <\/p>\n

           pine ridge<\/span><\/p>\n

a northern harrier swoops<\/span><\/p>\n

     above         below<\/span><\/p>\n

 <\/p>\n

\n

Eleven Haiku<\/h3>\n

moving whether or not shadows<\/span><\/p>\n

 <\/p>\n

low tide<\/span><\/p>\n

the paradox<\/span><\/p>\n

of choice<\/span><\/p>\n

 <\/p>\n

up in smoke the crescent moon<\/span><\/p>\n

 <\/p>\n

no moonlight left now<\/span><\/p>\n

to glitter on the magpie’s<\/span><\/p>\n

gathered gold<\/span><\/p>\n

 <\/p>\n

over the hill<\/span><\/p>\n

some clouds close<\/span><\/p>\n

others distant<\/span><\/p>\n

 <\/p>\n

counting<\/span><\/p>\n

grains of sand<\/span><\/p>\n

Avogadro\u2019s number<\/span><\/p>\n

 <\/p>\n

impasto brushwork<\/span><\/p>\n

                                    sundogs flare in the cirrostratus sky<\/span><\/p>\n

powder room<\/span><\/p>\n

his Picasso face<\/span><\/p>\n

in the spoon<\/span><\/p>\n

 <\/p>\n

annual bonus<\/span><\/p>\n

I buy my cats<\/span><\/p>\n

an imitation tree<\/span><\/p>\n

 <\/p>\n

sea cucumber<\/span><\/p>\n

she says she\u2019ll do<\/span><\/p>\n

anything once<\/span><\/p>\n

 <\/p>\n

perhaps you only know me by my haigo:<\/span><\/p>\n

                                                                           oak-leafed hydrangea<\/span><\/p>\n

 <\/p>\n

\n

Artist Statement<\/h3>\n

I have been studying and writing haiku since 2021. Haiku quickly became part of my daily writing practice. One of the key features of haiku is the kigo<\/em> or season word. The kigo<\/em> is an image that anchors the haiku to the natural world while also often indirectly referencing the transience of natural phenomena. Like the Japanese, I also live in an environment with four seasons (although some writers may experience more or fewer seasons), which helps me to organize my thoughts and order these poems. The strict requirement of a haiku requiring a seasonal kigo has been contentious for centuries. The Japanese have long published saijiki, dictionaries of kigo which indicate their seasonality. These have often included non-seasonal words, which remain grounded in nature (shooting star or earthquake for example). The seasonal haiku sequences in this set, have a strong explicit connection to seasonal changes. In Eleven Haiku<\/em>, I have included poems which are in conversation with this tradition. I believe that nonseasonal nature imagery can still anchor these poems to the natural world (such as low tide<\/em> and over the hill<\/em>) and also that despite the exclusion of nature imagery these haiku can also offer important insight into the human condition (such as powder room<\/em> and annual bonus<\/em>).<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

By Joshua St. Claire   Bio  Joshua St. Claire is an accountant from a small town in Pennsylvania who works as a financial director for a large non-profit. His haiku and related poetry have been published broadly including in The Asahi Shimbun, Modern Haiku, The Heron\u2019s Nest, and Mayfly. He has received recognition in the following international contests\/awards […]<\/p>\n","protected":false},"author":2245,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[47],"tags":[],"class_list":["post-4329","post","type-post","status-publish","format-standard","hentry","category-spire-2024-issue"],"yoast_head":"\nPoetry Series: Five Haiku Sequences - The Maine Journal of Conservation and Sustainability - University of Maine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Poetry Series: Five Haiku Sequences - The Maine Journal of Conservation and Sustainability - University of Maine\" \/>\n<meta property=\"og:description\" content=\"By Joshua St. Claire   Bio  Joshua St. Claire is an accountant from a small town in Pennsylvania who works as a financial director for a large non-profit. His haiku and related poetry have been published broadly including in The Asahi Shimbun, Modern Haiku, The Heron\u2019s Nest, and Mayfly. He has received recognition in the following international contests\/awards […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/\" \/>\n<meta property=\"og:site_name\" content=\"The Maine Journal of Conservation and Sustainability\" \/>\n<meta property=\"article:published_time\" content=\"2024-04-05T18:29:40+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-04-05T18:30:04+00:00\" \/>\n<meta name=\"author\" content=\"csaddler\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"csaddler\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/\"},\"author\":{\"name\":\"csaddler\",\"@id\":\"https:\/\/umaine.edu\/spire\/#\/schema\/person\/1d30098a1809b78198e1d4fa49100f8b\"},\"headline\":\"Poetry Series: Five Haiku Sequences\",\"datePublished\":\"2024-04-05T18:29:40+00:00\",\"dateModified\":\"2024-04-05T18:30:04+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/\"},\"wordCount\":1087,\"commentCount\":0,\"articleSection\":[\"Spire 2024 Issue\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/\",\"url\":\"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/\",\"name\":\"Poetry Series: Five Haiku Sequences - The Maine Journal of Conservation and Sustainability - University of Maine\",\"isPartOf\":{\"@id\":\"https:\/\/umaine.edu\/spire\/#website\"},\"datePublished\":\"2024-04-05T18:29:40+00:00\",\"dateModified\":\"2024-04-05T18:30:04+00:00\",\"author\":{\"@id\":\"https:\/\/umaine.edu\/spire\/#\/schema\/person\/1d30098a1809b78198e1d4fa49100f8b\"},\"breadcrumb\":{\"@id\":\"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/umaine.edu\/spire\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Poetry Series: Five Haiku Sequences\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/umaine.edu\/spire\/#website\",\"url\":\"https:\/\/umaine.edu\/spire\/\",\"name\":\"The Maine Journal of Conservation and Sustainability\",\"description\":\"University of Maine\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/umaine.edu\/spire\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/umaine.edu\/spire\/#\/schema\/person\/1d30098a1809b78198e1d4fa49100f8b\",\"name\":\"csaddler\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/secure.gravatar.com\/avatar\/af6f84bc666b51677f75acb78251f80b947c7fc746ddbd7c5316ea4b76efc98c?s=96&d=mm&r=g\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/af6f84bc666b51677f75acb78251f80b947c7fc746ddbd7c5316ea4b76efc98c?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/af6f84bc666b51677f75acb78251f80b947c7fc746ddbd7c5316ea4b76efc98c?s=96&d=mm&r=g\",\"caption\":\"csaddler\"},\"url\":\"https:\/\/umaine.edu\/spire\/author\/csaddler\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Poetry Series: Five Haiku Sequences - The Maine Journal of Conservation and Sustainability - University of Maine","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/","og_locale":"en_US","og_type":"article","og_title":"Poetry Series: Five Haiku Sequences - The Maine Journal of Conservation and Sustainability - University of Maine","og_description":"By Joshua St. Claire   Bio  Joshua St. Claire is an accountant from a small town in Pennsylvania who works as a financial director for a large non-profit. His haiku and related poetry have been published broadly including in The Asahi Shimbun, Modern Haiku, The Heron\u2019s Nest, and Mayfly. He has received recognition in the following international contests\/awards […]","og_url":"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/","og_site_name":"The Maine Journal of Conservation and Sustainability","article_published_time":"2024-04-05T18:29:40+00:00","article_modified_time":"2024-04-05T18:30:04+00:00","author":"csaddler","twitter_card":"summary_large_image","twitter_misc":{"Written by":"csaddler","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/#article","isPartOf":{"@id":"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/"},"author":{"name":"csaddler","@id":"https:\/\/umaine.edu\/spire\/#\/schema\/person\/1d30098a1809b78198e1d4fa49100f8b"},"headline":"Poetry Series: Five Haiku Sequences","datePublished":"2024-04-05T18:29:40+00:00","dateModified":"2024-04-05T18:30:04+00:00","mainEntityOfPage":{"@id":"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/"},"wordCount":1087,"commentCount":0,"articleSection":["Spire 2024 Issue"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/","url":"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/","name":"Poetry Series: Five Haiku Sequences - The Maine Journal of Conservation and Sustainability - University of Maine","isPartOf":{"@id":"https:\/\/umaine.edu\/spire\/#website"},"datePublished":"2024-04-05T18:29:40+00:00","dateModified":"2024-04-05T18:30:04+00:00","author":{"@id":"https:\/\/umaine.edu\/spire\/#\/schema\/person\/1d30098a1809b78198e1d4fa49100f8b"},"breadcrumb":{"@id":"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/umaine.edu\/spire\/2024\/04\/05\/st-claire\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/umaine.edu\/spire\/"},{"@type":"ListItem","position":2,"name":"Poetry Series: Five Haiku Sequences"}]},{"@type":"WebSite","@id":"https:\/\/umaine.edu\/spire\/#website","url":"https:\/\/umaine.edu\/spire\/","name":"The Maine Journal of Conservation and Sustainability","description":"University of Maine","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/umaine.edu\/spire\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/umaine.edu\/spire\/#\/schema\/person\/1d30098a1809b78198e1d4fa49100f8b","name":"csaddler","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/af6f84bc666b51677f75acb78251f80b947c7fc746ddbd7c5316ea4b76efc98c?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/af6f84bc666b51677f75acb78251f80b947c7fc746ddbd7c5316ea4b76efc98c?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/af6f84bc666b51677f75acb78251f80b947c7fc746ddbd7c5316ea4b76efc98c?s=96&d=mm&r=g","caption":"csaddler"},"url":"https:\/\/umaine.edu\/spire\/author\/csaddler\/"}]}},"taxonomy_info":{"category":[{"value":47,"label":"Spire 2024 Issue"}]},"featured_image_src_large":false,"author_info":{"display_name":"csaddler","author_link":"https:\/\/umaine.edu\/spire\/author\/csaddler\/"},"comment_info":0,"category_info":[{"term_id":47,"name":"Spire 2024 Issue","slug":"spire-2024-issue","term_group":0,"term_taxonomy_id":47,"taxonomy":"category","description":"","parent":0,"count":22,"filter":"raw","cat_ID":47,"category_count":22,"category_description":"","cat_name":"Spire 2024 Issue","category_nicename":"spire-2024-issue","category_parent":0}],"tag_info":false,"_links":{"self":[{"href":"https:\/\/umaine.edu\/spire\/wp-json\/wp\/v2\/posts\/4329","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/umaine.edu\/spire\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/umaine.edu\/spire\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/umaine.edu\/spire\/wp-json\/wp\/v2\/users\/2245"}],"replies":[{"embeddable":true,"href":"https:\/\/umaine.edu\/spire\/wp-json\/wp\/v2\/comments?post=4329"}],"version-history":[{"count":4,"href":"https:\/\/umaine.edu\/spire\/wp-json\/wp\/v2\/posts\/4329\/revisions"}],"predecessor-version":[{"id":4412,"href":"https:\/\/umaine.edu\/spire\/wp-json\/wp\/v2\/posts\/4329\/revisions\/4412"}],"wp:attachment":[{"href":"https:\/\/umaine.edu\/spire\/wp-json\/wp\/v2\/media?parent=4329"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/umaine.edu\/spire\/wp-json\/wp\/v2\/categories?post=4329"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/umaine.edu\/spire\/wp-json\/wp\/v2\/tags?post=4329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}