{"id":2319,"date":"2020-04-03T14:54:28","date_gmt":"2020-04-03T18:54:28","guid":{"rendered":"https:\/\/umaine.edu\/spire\/?p=2319"},"modified":"2020-04-21T16:28:22","modified_gmt":"2020-04-21T20:28:22","slug":"waichler","status":"publish","type":"post","link":"https:\/\/umaine.edu\/spire\/2020\/04\/03\/waichler\/","title":{"rendered":"Crosscut"},"content":{"rendered":"<p><strong>By Cal Waichler<\/strong><\/p>\n<h5>Colby College<\/h5>\n<h4><b>From the Artist<\/b><\/h4>\n<p><b>Crosscut (2019)<\/b>\u00a0is a digital compilation of two polyester plate lithography\u00a0prints that observe the history and prevalence of logging. I am struck by how even remote landscapes bear the squiggly, erratic scars of logging roads, and how one can walk deep into the woods and find the sawed off stumps of once-giants. The deeper one looks, the more extensive our human impact on US forests seems to be. The patterns of this development take interesting forms. USFS maps of logging roads seem to emulate dendritic patterns. Some of these networks resemble sporadic clods of roots, following resource-rich veins in the landscape.<\/p>\n<hr \/>\n<p><a href=\"https:\/\/umaine.edu\/spire\/wp-content\/uploads\/sites\/254\/2020\/04\/tere-orange-overlay_large.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-2662 size-large\" src=\"https:\/\/umaine.edu\/spire\/wp-content\/uploads\/sites\/254\/2020\/04\/tere-orange-overlay_large-768x1024.jpg\" alt=\"\" width=\"768\" height=\"1024\" srcset=\"https:\/\/umaine.edu\/spire\/wp-content\/uploads\/sites\/254\/2020\/04\/tere-orange-overlay_large-768x1024.jpg 768w, https:\/\/umaine.edu\/spire\/wp-content\/uploads\/sites\/254\/2020\/04\/tere-orange-overlay_large-225x300.jpg 225w, https:\/\/umaine.edu\/spire\/wp-content\/uploads\/sites\/254\/2020\/04\/tere-orange-overlay_large-1152x1536.jpg 1152w, https:\/\/umaine.edu\/spire\/wp-content\/uploads\/sites\/254\/2020\/04\/tere-orange-overlay_large-105x140.jpg 105w, https:\/\/umaine.edu\/spire\/wp-content\/uploads\/sites\/254\/2020\/04\/tere-orange-overlay_large-317x423.jpg 317w, https:\/\/umaine.edu\/spire\/wp-content\/uploads\/sites\/254\/2020\/04\/tere-orange-overlay_large-423x564.jpg 423w, https:\/\/umaine.edu\/spire\/wp-content\/uploads\/sites\/254\/2020\/04\/tere-orange-overlay_large-634x845.jpg 634w, https:\/\/umaine.edu\/spire\/wp-content\/uploads\/sites\/254\/2020\/04\/tere-orange-overlay_large-846x1128.jpg 846w, https:\/\/umaine.edu\/spire\/wp-content\/uploads\/sites\/254\/2020\/04\/tere-orange-overlay_large-951x1268.jpg 951w, https:\/\/umaine.edu\/spire\/wp-content\/uploads\/sites\/254\/2020\/04\/tere-orange-overlay_large-1268x1691.jpg 1268w, https:\/\/umaine.edu\/spire\/wp-content\/uploads\/sites\/254\/2020\/04\/tere-orange-overlay_large.jpg 1350w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,768px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Cal Waichler Colby College From the Artist Crosscut (2019)\u00a0is a digital compilation of two polyester plate lithography\u00a0prints that observe the history and prevalence of logging. I am struck by how even remote landscapes bear the squiggly, erratic scars of logging roads, and how one can walk deep into the woods and find the sawed [&hellip;]<\/p>\n","protected":false},"author":1650,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[16],"tags":[24],"class_list":["post-2319","post","type-post","status-publish","format-standard","hentry","category-spire-2020-issue","tag-art"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Crosscut - The Maine Journal of Conservation and Sustainability - University of Maine<\/title>\n<meta name=\"description\" content=\"Crosscut (2019)\u00a0is a digital compilation of two polyester plate lithography\u00a0prints that observe the history and prevalence of logging.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/spire\/2020\/04\/03\/waichler\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Crosscut - 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