{"id":991,"date":"2023-04-11T17:07:08","date_gmt":"2023-04-11T21:07:08","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=991"},"modified":"2024-10-08T15:33:42","modified_gmt":"2024-10-08T19:33:42","slug":"volume-30-1-2","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-30-1-2\/","title":{"rendered":"Paideuma 30.1-2"},"content":{"rendered":"<style>.kb-row-layout-id991_2ad753-dc > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id991_2ad753-dc > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id991_2ad753-dc > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id991_2ad753-dc > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id991_2ad753-dc > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id991_2ad753-dc > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id991_2ad753-dc alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column991_5f69ad-78 > .kt-inside-inner-col,.kadence-column991_5f69ad-78 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column991_5f69ad-78 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column991_5f69ad-78 > .kt-inside-inner-col{flex-direction:column;}.kadence-column991_5f69ad-78 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column991_5f69ad-78 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column991_5f69ad-78{position:relative;}@media all and (max-width: 1024px){.kadence-column991_5f69ad-78 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column991_5f69ad-78 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column991_5f69ad-78\"><div class=\"kt-inside-inner-col\"><style>.kb-image991_4ee7f3-e3 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image991_4ee7f3-e3 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"674\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-1-2-674x1024.jpg\" alt=\"Thumbnail of cover for Paideuma volume 30.1-2\" class=\"kb-img wp-image-451\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-1-2-674x1024.jpg 674w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-1-2-198x300.jpg 198w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-1-2-768x1166.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-1-2-92x140.jpg 92w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-1-2-317x481.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-1-2-423x642.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-1-2-634x963.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-1-2-846x1285.jpg 846w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-1-2.jpg 887w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,674px\" \/><figcaption>Volume 30.1-2 \/ 2001<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column991_02f5ae-bf > .kt-inside-inner-col,.kadence-column991_02f5ae-bf > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column991_02f5ae-bf > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column991_02f5ae-bf > .kt-inside-inner-col{flex-direction:column;}.kadence-column991_02f5ae-bf > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column991_02f5ae-bf > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column991_02f5ae-bf{position:relative;}@media all and (max-width: 1024px){.kadence-column991_02f5ae-bf > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column991_02f5ae-bf > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column991_02f5ae-bf\"><div class=\"kt-inside-inner-col\">\n<p><strong>The Periplum<\/strong><\/p>\n\n\n\n<p>Leon Surette, \u201cThe Troubadours: A Romance of Scholarship\u201d<\/p>\n\n\n\n<p>Naikan Tao, \u201c\u2018The Law of Discourse\u2019: Confucian Texts and Ideograms in&nbsp;<em>The Pisan Cantos<\/em>\u201c<\/p>\n\n\n\n<p>William McNaughton, \u201cThe Secret History of St. Elizabeths\u201d<\/p>\n\n\n\n<p>Scott Eastham, \u201cModernism Contra Modernity: The \u2018Case\u2019 of Ezra Pound\u201d<\/p>\n\n\n\n<p>Aaron Loh, \u201cDecoding the Ideogram: The Chinese Written Character in&nbsp;<em>The Cantos<\/em>&nbsp;of Ezra Pound\u201d<\/p>\n\n\n\n<p>Lance Callahan, \u201cSigns of Life\u201d Rethinking the Ideographic Method\u201d<\/p>\n\n\n\n<p>Michael Gooch, \u201cAuthority and the Authorless Text: Ezra Pound\u2019s \u2018The Seafarer&#8217;\u201d<\/p>\n\n\n\n<p>Julie Dennison, \u201c\u2018His Fundamental Passion\u2019:&nbsp;<em>Hugh Selwyn Mauberly<\/em>&nbsp;and the Ekphrastic Vortex of \u2018The Eyes&#8217;\u201d<\/p>\n\n\n\n<p>Theresa M. Welford, \u201cEchoes of Thomas Wyatt\u2019s \u2018They Flee from Me\u2019 in Ezra Pound\u2019s \u2018The Return&#8217;\u201d<\/p>\n\n\n\n<p>Stephen Brown, \u201cPreparing the Palette\u201d<\/p>\n\n\n\n<p><strong>The Documentry<\/strong><\/p>\n\n\n\n<p>Massimo Bacigalupo, \u201cEzra Pound\u2019s \u2018European Paideuma&#8217;\u201d<\/p>\n\n\n\n<p>Thomas Cole. \u201cE.P. on the Imagist Movement, 1912-14\u201d<\/p>\n\n\n\n<p><strong>The Reviewer<\/strong><\/p>\n\n\n\n<p>Alec Marsh (<em>The Correspondence of Ezra Pound and Senator William Borah<\/em>, ed. Sarah C. Holmes)<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The Periplum Leon Surette, \u201cThe Troubadours: A Romance of Scholarship\u201d Naikan Tao, \u201c\u2018The Law of Discourse\u2019: Confucian Texts and Ideograms in&nbsp;The Pisan Cantos\u201c William McNaughton, \u201cThe Secret History of St. Elizabeths\u201d Scott Eastham, \u201cModernism Contra Modernity: The \u2018Case\u2019 of Ezra Pound\u201d Aaron Loh, \u201cDecoding the Ideogram: The Chinese Written Character in&nbsp;The Cantos&nbsp;of Ezra Pound\u201d Lance [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-991","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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