{"id":988,"date":"2023-04-11T17:06:02","date_gmt":"2023-04-11T21:06:02","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=988"},"modified":"2024-10-08T15:32:44","modified_gmt":"2024-10-08T19:32:44","slug":"volume-30-3","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-30-3\/","title":{"rendered":"Paideuma 30.3"},"content":{"rendered":"<style>.kb-row-layout-id988_596574-df > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id988_596574-df > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id988_596574-df > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id988_596574-df > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id988_596574-df > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id988_596574-df > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id988_596574-df alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column988_fa74e2-7f > .kt-inside-inner-col,.kadence-column988_fa74e2-7f > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column988_fa74e2-7f > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column988_fa74e2-7f > .kt-inside-inner-col{flex-direction:column;}.kadence-column988_fa74e2-7f > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column988_fa74e2-7f > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column988_fa74e2-7f{position:relative;}@media all and (max-width: 1024px){.kadence-column988_fa74e2-7f > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column988_fa74e2-7f > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column988_fa74e2-7f\"><div class=\"kt-inside-inner-col\"><style>.kb-image988_5d4fa5-c6 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image988_5d4fa5-c6 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"674\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-3-674x1024.jpg\" alt=\"Thumbnail of cover for Paideuma volume 30.3\" class=\"kb-img wp-image-452\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-3-674x1024.jpg 674w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-3-198x300.jpg 198w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-3-768x1166.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-3-92x140.jpg 92w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-3-317x481.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-3-423x642.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-3-634x963.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-3-846x1285.jpg 846w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-30-3.jpg 887w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,674px\" \/><figcaption>Volume 30.3 \/ 2001<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column988_871d67-7d > .kt-inside-inner-col,.kadence-column988_871d67-7d > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column988_871d67-7d > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column988_871d67-7d > .kt-inside-inner-col{flex-direction:column;}.kadence-column988_871d67-7d > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column988_871d67-7d > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column988_871d67-7d{position:relative;}@media all and (max-width: 1024px){.kadence-column988_871d67-7d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column988_871d67-7d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column988_871d67-7d\"><div class=\"kt-inside-inner-col\">\n<p><strong>The Periplum<\/strong><\/p>\n\n\n\n<p>Mikl\u00f3s P\u00e9ti, \u201cUsura Alone Not Understood?: A Rhetorical Consideration of \u2018Usura\u2019 in&nbsp;<em>The Cantos<\/em>\u201c<\/p>\n\n\n\n<p>Feng Lan, \u201cEzra Pound\u2019s Etymographic reading and His Interpretation of Confucian Texts\u201d<\/p>\n\n\n\n<p>Rebecca Beasley, \u201cDada\u2019s Place in&nbsp;<em>The Cantos<\/em>\u201c<\/p>\n\n\n\n<p>Andre Stipanovic, \u201cEzra Pound\u2019s Coming of War in the Long Poem: Persona and the Historical Narrative in \u2018Near Perigord&#8217;\u201d<\/p>\n\n\n\n<p>David Farley, \u201c\u2018Damn the Partition!\u2019: Ezra Pound and the Passport Nuisance\u201d<\/p>\n\n\n\n<p>Chris Jones, \u201cOne a Bird Bore Off: Anglo-Saxon and the Elegiac in&nbsp;<em>The Cantos<\/em>\u201c<\/p>\n\n\n\n<p><strong>The Explicator<\/strong><\/p>\n\n\n\n<p>Yang Lian, \u201c\u2018In the Timeless Air\u2019: Chinese Language, Pound and&nbsp;<em>The Cantos<\/em>\u201c<\/p>\n\n\n\n<p><strong>The Documentary<\/strong><\/p>\n\n\n\n<p>Cameron McWhirter, \u201c\u2018Dear Poet-General and Walloper\u2019: The Correspondence of Ezra Pound and Harold W. Thompson 1936-1939\u201d<\/p>\n\n\n\n<p>Boris Avdeyev, \u201cPound in Russia: Translations and Studies\u201d<\/p>\n\n\n\n<p>Archie Henderson, \u201cThe Correspondence of Ezra Pound: More Addenda to the&nbsp;<em>Location Register<\/em>\u201c<\/p>\n\n\n\n<p><strong>The Departments<\/strong><\/p>\n\n\n\n<p>Letter to the Editor<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The Periplum Mikl\u00f3s P\u00e9ti, \u201cUsura Alone Not Understood?: A Rhetorical Consideration of \u2018Usura\u2019 in&nbsp;The Cantos\u201c Feng Lan, \u201cEzra Pound\u2019s Etymographic reading and His Interpretation of Confucian Texts\u201d Rebecca Beasley, \u201cDada\u2019s Place in&nbsp;The Cantos\u201c Andre Stipanovic, \u201cEzra Pound\u2019s Coming of War in the Long Poem: Persona and the Historical Narrative in \u2018Near Perigord&#8217;\u201d David Farley, \u201c\u2018Damn [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-988","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - 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