{"id":985,"date":"2023-04-11T17:04:48","date_gmt":"2023-04-11T21:04:48","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=985"},"modified":"2024-10-08T15:31:26","modified_gmt":"2024-10-08T19:31:26","slug":"volume-31","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-31\/","title":{"rendered":"Paideuma 31"},"content":{"rendered":"<style>.kb-row-layout-id985_0e4c6f-44 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id985_0e4c6f-44 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id985_0e4c6f-44 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id985_0e4c6f-44 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id985_0e4c6f-44 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id985_0e4c6f-44 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id985_0e4c6f-44 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column985_eb4716-57 > .kt-inside-inner-col,.kadence-column985_eb4716-57 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column985_eb4716-57 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column985_eb4716-57 > .kt-inside-inner-col{flex-direction:column;}.kadence-column985_eb4716-57 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column985_eb4716-57 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column985_eb4716-57{position:relative;}@media all and (max-width: 1024px){.kadence-column985_eb4716-57 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column985_eb4716-57 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column985_eb4716-57\"><div class=\"kt-inside-inner-col\"><style>.kb-image985_672a93-3f .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image985_672a93-3f size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"674\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-31-1-2-3-674x1024.jpg\" alt=\"Thumbnail of cover for Paideuma volume 31\" class=\"kb-img wp-image-453\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-31-1-2-3-674x1024.jpg 674w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-31-1-2-3-198x300.jpg 198w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-31-1-2-3-768x1166.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-31-1-2-3-92x140.jpg 92w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-31-1-2-3-317x481.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-31-1-2-3-423x642.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-31-1-2-3-634x963.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-31-1-2-3-846x1285.jpg 846w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-31-1-2-3.jpg 887w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,674px\" \/><figcaption>Volume 31 \/ 2002<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column985_46f0e2-60 > .kt-inside-inner-col,.kadence-column985_46f0e2-60 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column985_46f0e2-60 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column985_46f0e2-60 > .kt-inside-inner-col{flex-direction:column;}.kadence-column985_46f0e2-60 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column985_46f0e2-60 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column985_46f0e2-60{position:relative;}@media all and (max-width: 1024px){.kadence-column985_46f0e2-60 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column985_46f0e2-60 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column985_46f0e2-60\"><div class=\"kt-inside-inner-col\">\n<p>Special Issue<strong><br>DEDICATED TO JAMES LAUGHLIN<\/strong><br>Guest-edited by Emily Mitchell Wallace<\/p>\n\n\n\n<p>CONTENTS<\/p>\n\n\n\n<p>Note by the Guest Editor<\/p>\n\n\n\n<p>Rodney Grove Dennis, \u201cPoem: \u2018The Other Second Canto&#8217;\u201d<\/p>\n\n\n\n<p><strong>Tributes to James Laughlin<\/strong><\/p>\n\n\n\n<p>Tom Vitale, \u201cNational Public Radio Tribute, Friday, November 14, 1997\u201d<\/p>\n\n\n\n<p>\u201cNew Directions Tribute,&nbsp;<em>The New York Times<\/em>, Friday, November 14, 1977\u2033<\/p>\n\n\n\n<p>\u201cNew Directions Ceremony, Program in Memory of James Laughlin, Academy of Arts and Letters, Friday, January 9, 1998\u201d<\/p>\n\n\n\n<p>James Atlas, \u201cLiterature Is in the Details\u201d<\/p>\n\n\n\n<p>Joel Conarroe, \u201cJust Dandy\u201d<\/p>\n\n\n\n<p>Anne Conover, \u201cJaz and the \u2018George\u2019 Poems\u201d<\/p>\n\n\n\n<p>Guy Davenport, \u201cThe Wittiest and Sexiest Poet of Our Time\u201d<\/p>\n\n\n\n<p>Lawrence Ferlinghetti, \u201cDissent Is Not UnAmerican\u201d<\/p>\n\n\n\n<p>Peggy L. Fox, \u201cNorfolk Confetti: The Benevolent Tyranny of JL\u2019s Little Notes\u201d<\/p>\n\n\n\n<p>Jonathan Galassi, \u201cNotes from Mountain Road\u201d<\/p>\n\n\n\n<p>Donald Gallup, \u201cIncredible Faithfulness\u201d<\/p>\n\n\n\n<p>Robert Giroux, \u201cCallimachus on the Subway\u201d<\/p>\n\n\n\n<p>Peter Glassgold, \u201cBeyond Myths &amp; Astral Bodies: ND as Wuz\u201d<\/p>\n\n\n\n<p>David M. Gordon, \u201cThe Adaptor &amp; Jas\u201d<\/p>\n\n\n\n<p>Theodora Rapp Graham, \u201cUnexpected Gifts\u201d<\/p>\n\n\n\n<p>Daniel Hoffman, \u201cFriendship, Pleasure, Wisdom\u201d<\/p>\n\n\n\n<p>Daniel Javitch, \u201cO Tender, Small Self-Given Heroism\u201d<\/p>\n\n\n\n<p>Hugh Kenner, \u201cJas and Jasper\u201d<\/p>\n\n\n\n<p>L. R. Lind, \u201cPoem: \u2018JL \/ LRL&#8217;\u201d<\/p>\n\n\n\n<p>Christopher MacGowan, \u201cJL\u2019s Diplomatic Footwork\u201d<\/p>\n\n\n\n<p>Rebecca Newth, \u201cJ\u2019s Gift of One of Aunt Leila\u2019s Sheep\u201d<\/p>\n\n\n\n<p>Mary de Rachewiltz, \u201cBringing up Young Publishers\u201d<\/p>\n\n\n\n<p>Christa Sammons, \u201cA Class Act\u201d<\/p>\n\n\n\n<p>Peter Dale Scott, \u201cThat gentle and Almost Timid Grace\u201d<\/p>\n\n\n\n<p>Gary Snyder, \u201cLaughlin\u2019s \u2018Mahayana\u2019 or \u2018Big Open SPirit&#8217;\u201d<\/p>\n\n\n\n<p>Mary Ellen Solt, \u201c\u2018Making a Love Poem\u2019 Concrete\u201d<\/p>\n\n\n\n<p>Roger Eliot Stoddard, \u201cThe Harvardian\u201d<\/p>\n\n\n\n<p>Richard Taylor, \u201cJL as Editor and Publisher: The Most Conscientious and Scrupulous Man I Have Ever Known\u201d<\/p>\n\n\n\n<p>John Updike, \u201cVerve\u201d<\/p>\n\n\n\n<p>Rosmarie Waldrop, \u201cAmazements\u201d<\/p>\n\n\n\n<p>Jonathan Williams, \u201cAn Abstemious Celt\u201d<\/p>\n\n\n\n<p>William Eric Williams, \u201cFor the Love of Poetry\u201d<\/p>\n\n\n\n<p>Hugh Witemeyer, \u201cThe Emperor\u2019s Sunbelt Tour\u201d<\/p>\n\n\n\n<p><strong>Biography<\/strong><\/p>\n\n\n\n<p>Hayden Carruth, \u201cFive Selections from&nbsp;<em>Beside the Shadblow Tree<\/em>\u201c<\/p>\n\n\n\n<p>Penelope Laurans Fitzgerald, \u201c\u2018\u2026And in the Bond Which Endured between Us\u2019: Notes on the Friendship of James Laughlin and Robert Fitzgerald\u201d<\/p>\n\n\n\n<p>Samuel A. Streit, \u201c\u2018Great Learning and Discernment\u2019: JL as Adjunct professor and Chancellor\u2019s Fellow at Brown\u201d<\/p>\n\n\n\n<p>Emily Mitchell Wallace, \u201c\u2018A Bridge over Worlds\u2019: A Partial portrait of James Laughlin IV Based on His Poems, Stories, Essays, Letters, and Interviews, Including Many Photographs\u201d<\/p>\n\n\n\n<p><strong>New Directions Archives<\/strong><\/p>\n\n\n\n<p>Hayden Carruth, \u201cJas\u2019 Little Magazines and Correspondence\u201d<\/p>\n\n\n\n<p>Terry Halladay, \u201cOf Books and the Bear at Meadows House\u201d<\/p>\n\n\n\n<p>Leslie A. Morris, \u201c\u2018Make It New\u2019: James Laughlin &amp; the Houghton Library\u201d<\/p>\n\n\n\n<p>Samuel A. Streit, \u201cThe Laughlin Collection in the John hay Library at Brown\u201d<\/p>\n\n\n\n<p>Patricia C. Willis, \u201c\u2018<em>Luz Y Verdad<\/em>\u2018: J Laughlin and Yale\u201d<\/p>\n\n\n\n<p><strong>Bibliography<\/strong><\/p>\n\n\n\n<p>John A. Harrison, \u201cA Selective List of Published Writing, 1935-2002, by and about James Laughlin\u201d<\/p>\n\n\n\n<p><strong>The Periplum<\/strong><\/p>\n\n\n\n<p>Ezra Pound, \u201c\u2018Chinese Poetry: Prof. Mori\u2019s Lectures,\u2019 Recast by Pound from Fenollosa\u2019s Notes, Transcribed and Annotated by Zhaoming Qian\u201d<\/p>\n\n\n\n<p>Zhaoming Qian, \u201cAn Afterword Concerning Pound\u2019s 1935 Revisit to the Fenollosa Papers for an Edition of Mori\u2019s Lectures on Chinese Poetry\u201d<\/p>\n\n\n\n<p>Richard Taylor, \u201cEditing the Variorum&nbsp;<em>Cantos<\/em>: Process and Policy\u201d<\/p>\n\n\n\n<p>Demetres Tryphonopoulos, \u201cJames Laughlin\u2019s \u2018Visual-Couplet Metric&#8217;\u201d<\/p>\n\n\n\n<p><strong>The Vortex<\/strong><\/p>\n\n\n\n<p>William McNaughton, \u201cA Report on the 18th International Conference on Ezra Pound, Beijing, China, 16-19 July 1999\u201d<\/p>\n\n\n\n<p>Program of China Conference<\/p>\n\n\n\n<p>Photographs of China Conference<\/p>\n\n\n\n<p>Photographs of Some New Directions Authors<\/p>\n\n\n\n<p>Patrizia de Rachewiltz, \u201cPoem for Jas\u201d<\/p>\n\n\n\n<p>List of Complete Poems by James Laughlin in This Volume of&nbsp;<em>Paideuma<\/em><\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Special IssueDEDICATED TO JAMES LAUGHLINGuest-edited by Emily Mitchell Wallace CONTENTS Note by the Guest Editor Rodney Grove Dennis, \u201cPoem: \u2018The Other Second Canto&#8217;\u201d Tributes to James Laughlin Tom Vitale, \u201cNational Public Radio Tribute, Friday, November 14, 1997\u201d \u201cNew Directions Tribute,&nbsp;The New York Times, Friday, November 14, 1977\u2033 \u201cNew Directions Ceremony, Program in Memory of James [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-985","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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