{"id":964,"date":"2023-04-11T15:30:51","date_gmt":"2023-04-11T19:30:51","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=964"},"modified":"2024-10-08T15:25:08","modified_gmt":"2024-10-08T19:25:08","slug":"volume-34-2-3","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-34-2-3\/","title":{"rendered":"Paideuma 34 2 3"},"content":{"rendered":"<style>.kb-row-layout-id964_128576-a0 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id964_128576-a0 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id964_128576-a0 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id964_128576-a0 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id964_128576-a0 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id964_128576-a0 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id964_128576-a0 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column964_962c58-76 > .kt-inside-inner-col,.kadence-column964_962c58-76 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column964_962c58-76 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column964_962c58-76 > .kt-inside-inner-col{flex-direction:column;}.kadence-column964_962c58-76 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column964_962c58-76 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column964_962c58-76{position:relative;}@media all and (max-width: 1024px){.kadence-column964_962c58-76 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column964_962c58-76 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column964_962c58-76\"><div class=\"kt-inside-inner-col\"><style>.kb-image964_956cea-a6 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image964_956cea-a6 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"699\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-34-2-3-699x1024.jpg\" alt=\"Thumbnail of cover for Paideuma volume 34.2-3\" class=\"kb-img wp-image-458\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-34-2-3-699x1024.jpg 699w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-34-2-3-205x300.jpg 205w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-34-2-3-768x1125.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-34-2-3-96x140.jpg 96w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-34-2-3-317x464.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-34-2-3-423x619.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-34-2-3-634x928.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-34-2-3-846x1239.jpg 846w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-34-2-3.jpg 913w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,699px\" \/><figcaption>Volume 34.2-3 \/ 2005<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column964_9e08f0-18 > .kt-inside-inner-col,.kadence-column964_9e08f0-18 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column964_9e08f0-18 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column964_9e08f0-18 > .kt-inside-inner-col{flex-direction:column;}.kadence-column964_9e08f0-18 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column964_9e08f0-18 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column964_9e08f0-18{position:relative;}@media all and (max-width: 1024px){.kadence-column964_9e08f0-18 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column964_9e08f0-18 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column964_9e08f0-18\"><div class=\"kt-inside-inner-col\">\n<p>Special Issue<br><strong>EZRA POUND AND AMERICAN IDENTITY<\/strong><br>Edited by Hugh Witemeyer<\/p>\n\n\n\n<p>CONTENTS<\/p>\n\n\n\n<p>Hugh Witemeyer, \u201cIntroduction: The 20th International Ezra Pound Conference\u201d<\/p>\n\n\n\n<p><strong>PART ONE: AN AMERICAN LIFE<\/strong><\/p>\n\n\n\n<p>Tim Redman, \u201cEzra Pound and American Populism: The Enduring Influence of Hailey, Idaho\u201d<\/p>\n\n\n\n<p>Alec Marsh, \u201cHomer Pound\u2019s&nbsp;<em>Small Boy<\/em>&nbsp;and Pound Scholarship\u201d<\/p>\n\n\n\n<p>Homer Somers with William Pratt, \u201cEzra Pound in the DTC: A Personal Memoir\u201d<\/p>\n\n\n\n<p>Hsiu-ling Lin, \u201cReconsidering Ezra Pound\u2019s Treason Charge in the Light of American Constitutional Law\u201d<\/p>\n\n\n\n<p><strong>PART TWO: AMERICAN CULTURE<\/strong><\/p>\n\n\n\n<p>Denis Donoghue, \u201cA Packet for Ezra Pound\u201d<\/p>\n\n\n\n<p>Ira B. Nadel, \u201cThe American Image of Ezra Pound\u201d<\/p>\n\n\n\n<p>Sean Francis, \u201c\u2018Now for a Large-Mouthed Product\u2019: Ezra Pound and the Poetics of Promotion\u201d<\/p>\n\n\n\n<p>Peter Makin, \u201cPound, Confucian Sincerity, and America\u201d<\/p>\n\n\n\n<p>Roxana Preda, \u201cSocial Credit in America: A View from Pound\u2019s Economic Correspondence, 1933-1940\u201d<\/p>\n\n\n\n<p><strong>PART THREE: AN AMERICAN POEM<\/strong><\/p>\n\n\n\n<p>Burton Hatlen, \u201cPound\u2019s&nbsp;<em>Cantos<\/em>&nbsp;and the Epic Mode in American Poetry, 1915-1931\u2033<\/p>\n\n\n\n<p>Ronald Bush, \u201cPound, Emerson, and Thoreau:&nbsp;<em>The Pisan Cantos<\/em>&nbsp;and the Politics of American Pastoral\u201d<\/p>\n\n\n\n<p>David Ten Eyck, \u201cRepresenting the American Republic: Ezra Pound\u2019s Adams and Coke Cantos\u201d<\/p>\n\n\n\n<p><strong>PART FOUR: AMERICAN TRIBUTES<\/strong><\/p>\n\n\n\n<p>Mary de Rachewiltz, \u201cMary Barnard: \u2018Athene Cd\/ Have Done with More Sex Appeal&#8217;\u201d<\/p>\n\n\n\n<p>Lawrence Ferlinghetti, \u201cWhat\u2019s Happening in Hailey, Idaho\u201d<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Special IssueEZRA POUND AND AMERICAN IDENTITYEdited by Hugh Witemeyer CONTENTS Hugh Witemeyer, \u201cIntroduction: The 20th International Ezra Pound Conference\u201d PART ONE: AN AMERICAN LIFE Tim Redman, \u201cEzra Pound and American Populism: The Enduring Influence of Hailey, Idaho\u201d Alec Marsh, \u201cHomer Pound\u2019s&nbsp;Small Boy&nbsp;and Pound Scholarship\u201d Homer Somers with William Pratt, \u201cEzra Pound in the DTC: A [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-964","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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