{"id":953,"date":"2023-03-23T13:13:37","date_gmt":"2023-03-23T17:13:37","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=953"},"modified":"2024-10-09T15:54:21","modified_gmt":"2024-10-09T19:54:21","slug":"1980s-conference","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/1980s-conference\/","title":{"rendered":"The Poetry of the 1980\u2019s"},"content":{"rendered":"<style>.kb-row-layout-id953_7a63ff-6b > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id953_7a63ff-6b > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id953_7a63ff-6b > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id953_7a63ff-6b > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id953_7a63ff-6b > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id953_7a63ff-6b > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id953_7a63ff-6b alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column953_62c0ca-99 > .kt-inside-inner-col,.kadence-column953_62c0ca-99 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column953_62c0ca-99 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column953_62c0ca-99 > .kt-inside-inner-col{flex-direction:column;}.kadence-column953_62c0ca-99 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column953_62c0ca-99 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column953_62c0ca-99{position:relative;}@media all and (max-width: 1024px){.kadence-column953_62c0ca-99 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column953_62c0ca-99 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column953_62c0ca-99\"><div class=\"kt-inside-inner-col\"><style>.kb-image953_5708be-4a .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image953_5708be-4a size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"528\" height=\"573\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/80spic.png\" alt=\"A scan of the cover for the conference The Poetry of the 1980\u2019s\" class=\"kb-img wp-image-954\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/80spic.png 528w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/80spic-276x300.png 276w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/80spic-105x114.png 105w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/80spic-317x344.png 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/03\/80spic-423x459.png 423w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,528px\" \/><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column953_53e63c-48 > .kt-inside-inner-col,.kadence-column953_53e63c-48 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column953_53e63c-48 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column953_53e63c-48 > .kt-inside-inner-col{flex-direction:column;}.kadence-column953_53e63c-48 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column953_53e63c-48 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column953_53e63c-48{position:relative;}@media all and (max-width: 1024px){.kadence-column953_53e63c-48 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column953_53e63c-48 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column953_53e63c-48\"><div class=\"kt-inside-inner-col\">\n<p><em>The complete program can be found in pdf format&nbsp;<a href=\"http:\/\/nationalpoetryfoundation.files.wordpress.com\/2012\/06\/npf80s-program.pdf\">(here)<\/a><\/em><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Program<\/h3>\n\n\n\n<p><strong>Poetry and Poetics of the 1980s<\/strong><\/p>\n\n\n\n<p><strong>June 27 \u2013 30, 2012<\/strong><\/p>\n\n\n\n<p><strong>P R O G R A M<\/strong><\/p>\n\n\n\n<p>National Poetry Foundation University of Maine Orono, Maine<\/p>\n\n\n\n<p><strong>Wednesday, 27 June<\/strong><\/p>\n\n\n\n<p>Registration, 12 noon \u2013 5:00 PM<br>Doris Twitchell Allen Village (DTAV) Community Building<\/p>\n\n\n\n<p>Opening Reception, 7:00 \u2013 10:00 PM<br>Wells Conference Center, Room 2<br>Special screening of excerpts of a film by Konrad Steiner with Leslie Scalapino\u2019s way (23min)<\/p>\n\n\n\n<p><strong>Thursday, 28 June<\/strong><\/p>\n\n\n\n<p>Breakfast available beginning at 7:00 AM<br>Maine Marketplace, Memorial Union, or Hilltop Commons<\/p>\n\n\n\n<p>Registration and refreshments beginning at 8:00 AM<br>Donald P. Corbett Building (DPC) Lobby<\/p>\n\n\n\n<p>Bookfair, 10:00 AM \u2013 4:00 PM<br>Donald P. Corbett Building (DPC) Lobby<\/p>\n\n\n\n<p>9:00 AM Panels<\/p>\n\n\n\n<p>01A. Bearing Witness<\/p>\n\n\n\n<p>105 Donald P. Corbett Building (DPC)<br>Barry Ahearn, Tulane University<br>Samuel Menashe: The \u201cNeglected Master\u201d in the Eighties<br>Tony Brinkley, University of Maine, and<br>Adra Raine, University of North Carolina<br>Claude Lanzmann\u2019s Shoah and the Poetry of Witness<br>John Steen, Emory University<br>Words Returning: Creeley\u2019s Memory Gardens and Maternal<br>Mourning<\/p>\n\n\n\n<p>01B. Clark Coolidge<\/p>\n\n\n\n<p>115 Donald P. Corbett Building (DPC)<br>Brooks Lampe, The Catholic University of America<br>Density and Image: Clark Coolidge\u2019s Solution Passage<br>Tom Orange, Georgetown University<br>Clark Coolidge in the Eighties, or, How Not to Read<br>The Crystal Text<br>Kristen Tapson Widenhoefer, New York University<br>Clark Coolidge and Cybernetics: Performative Epistemology in<br>The Crystal Text<\/p>\n\n\n\n<p>01C. Expanding and Problematizing the Lyric<\/p>\n\n\n\n<p>218 Donald P. Corbett Building (DPC)<br>Russell Brickey, University of Wisconsin, Platteville<br>The Rebirth of the Confessional Lyric<br>Sarah Cohen, University of Washington<br>Jorie Graham in the 1980s: Reconsidering the \u201cWorkshop Poem\u201d Andrew Mulvania, Washington &amp; Jefferson College<br>Charting \u201cZones\u201d of Influence: Charles Wright\u2019s Zone Journals<br>and the Poetry of the 1980s<\/p>\n\n\n\n<p>01D. Gender and Genre<\/p>\n\n\n\n<p>107 Donald P. Corbett Building (DPC)<br>David Need, Duke University<br>Adjacency and Voice in the Dream of the Everyday:<br>Fanny Howe\u2019s \u201cthe lives of a spirit\u201d and Bernadette Mayer \u2019s<br>\u201cMidwinter Day\u201d<br>Ben Gillespie, Johns Hopkins University<br>Inevitable Collapse: Rosmarie Waldrop and Prose Poetry<br>Ellen McGrath Smith, University of Pittsburgh<br>Gendre: Women\u2019s Prose Poetry in the 1980s<\/p>\n\n\n\n<p>01E. Differentials: A New Look at New Formalism<\/p>\n\n\n\n<p>217 Donald P. Corbett Building (DPC)<br>Annie Finch, University of Southern Maine, and<br>Tara Betts, Rutgers University<br>Dismantling the House: Marginalized Voices in Early New<br>Formalism<br>Seth Perlow, Cornell University<br>The Ends of Form: Historical Collapse in Digital Poetry and<br>New Formalism<\/p>\n\n\n\n<p>10:30 AM Coffee and refreshments DPC Lobby<\/p>\n\n\n\n<p>11:00 AM Panels<\/p>\n\n\n\n<p>02A. Marilyn Hacker<\/p>\n\n\n\n<p>218 Donald P. Corbett Building (DPC)<br>Carrie Conners, LaGuardia Community College<br>\u201cThe Good Life\u201d: The Politics of Hedonism in Marilyn Hacker \u2019s<br>Love, Death, and the Changing&nbsp; of the Seasons<br>Wendy Galgan, St. Francis College<br>\u201cWe always have good sex on Tuesday nights.\u201d:<br>Marilyn Hacker \u2019s Love, Death, and the Changing&nbsp; of the Seasons<br>Laura Trantham Smith, Stevenson University<br>Politics and Progressive Formalism: The Formalist Poetics of<br>AIDS<\/p>\n\n\n\n<p>02B. Estranging the Logos: Michael Palmer\u2019s Book of Echoes<\/p>\n\n\n\n<p>115 Donald P. Corbett Building (DPC)<br>Patrick Pritchett, Harvard University, Organizer and Chair<br>Richard Deming, Yale University<br>Senses of Echo Lake: Michael Palmer, Stanley Cavell, and the<br>American Philosophical Tradition<br>Peter O\u2019Leary, University of Chicago<br>Poem of the End: Michael Palmer \u2019s Apocalyptic Sun<br>Norman Finkelstein, Xavier University<br>From \u201cC\u201d to D: Michael Palmer from the Eighties to the<br>Nineties (and Beyond)<\/p>\n\n\n\n<p>02C. Alice Notley<\/p>\n\n\n\n<p>217 Donald P. Corbett Building (DPC)<br>Jane Malcolm, Universit\u00e9 de Montr\u00e9al<br>\u201cA female other, I\u201d: From Notley\u2019s Heiresses to Mayer \u2019s Sonnets<br>Christopher Rizzo, University at Albany, SUNY<br>Sensational Waltzing: The Logographic Poetics of Alice Notley\u2019s<br>Waltzing Matilda<br>Rick Snyder, University of Southern California<br>The Epic \u201880s: The Reinvention of Genre in the Works of<br>Theresa Hak Kyung Cha and Alice Notley<\/p>\n\n\n\n<p>02D. J. H. Prynne<\/p>\n\n\n\n<p>105 Donald P. Corbett Building (DPC)<br>Matthew Hall, University of Western Australia<br>The Privilege of Exemption: The Politics of Representation in<br>J. H. Prynne\u2019s Bands Around the Throat<br>Joe Luna, University of Sussex, UK<br>Bleeding Inside the Mouth: Debt, Dream and Despair in the<br>1980s Poetry Of Douglas Oliver and J. H. Prynne<br>Richard Owens, University at Buffalo, SUNY Lately Poor Eyes: Prynne Under Thatcher<\/p>\n\n\n\n<p>02E. Ed Dorn Live<br>107 Donald P. Corbett Building (DPC)<br>Joseph Richey<br>The 1980s: A Dorn Take<\/p>\n\n\n\n<p>Lunch, 12:30 \u2013 1:45 PM, Maine Marketplace, Memorial Union<\/p>\n\n\n\n<p>2:00 PM Panels<\/p>\n\n\n\n<p>03A. Post-Generic Writing in the 1980s<\/p>\n\n\n\n<p>115 Donald P. Corbett Building (DPC)<br>Stephen Fredman, Organizer and Chair; Marjorie Perloff, Respondent<br>Stephen Fredman, University of Notre Dame<br>Post-Generic Writing: Poetic Innovations in Prose<br>Kaplan Harris, St. Bonaventure University<br>The Geography of Genre<br>Peter Middleton, University of Southampton, UK<br>Inquiry as a Post-Generic Strategy: Lyn Hejinian and The Cell<\/p>\n\n\n\n<p>03B. Masculinities<\/p>\n\n\n\n<p>117 Donald P. Corbett Building (DPC)<br>Brian Carpenter<br>\u201cThe weather is hopefully different\u201d:<br>Hope and Time in Norman Fischer \u2019s Early Books<br>Chris Chapman, University of Notre Dame<br>The Secret World of Victor Coleman<br>Matt Sandler, University of Oregon<br>Poetry and Masculinity in the 1980s: The Cases of Robert Bly and Haki Madhubuti<\/p>\n\n\n\n<p>03C. Roundtable: City on the Make: How Chicago Invented<br>Slam\/Spoken Word in the 1980s<\/p>\n\n\n\n<p>107 Donald P. Corbett Building (DPC)<br>Sharon Mesmer, Organizer and Chair<br>Tim W. Brown, Kurt Heintz, Paul McComas, Sharon Mesmer, Deborah Pintonelli (in absentia)<\/p>\n\n\n\n<p>4:00 PM Plenary Panel<\/p>\n\n\n\n<p>04. No More Secrets: The Poetry Project in the 1980s<\/p>\n\n\n\n<p>100 Donald P. Corbett Building (DPC)<br>Kimberly Lyons, Organizer and Chair<br>Patricia Spears Jones, LaGuardia Community College and Queens College; Gary Lenhart, Dartmouth College; Kimberly Lyons; Eileen Myles; Elinor Nauen<\/p>\n\n\n\n<p>Dinner<br>Hilltop Commons open until 6:00 PM<br>See registration folder for list of local restaurants<\/p>\n\n\n\n<p>8:00 PM Keynote Reading Minsky Recital Hall, Class of 1944 Hall Susan Howe<\/p>\n\n\n\n<p>9:00 PM Keynote Reading Minsky Recital Hall, Class of 1944 Hall Charles Bernstein<\/p>\n\n\n\n<p>10:00 PM Open Readings<br>Bodwell Lounge, Collins Center for the Arts (CCA)<\/p>\n\n\n\n<p><br><strong>Friday, 29 June 2012<\/strong><\/p>\n\n\n\n<p>Breakfast available beginning at 7:00 AM<br>Maine Marketplace, Memorial Union, or Hilltop Commons<\/p>\n\n\n\n<p>Registration and refreshments beginning at 8:00 AM<br>Donald P. Corbett Building (DPC) Lobby<\/p>\n\n\n\n<p>Bookfair, 10:00 AM \u2013 4:00 PM<br>Donald P. Corbett Building (DPC) Lobby<\/p>\n\n\n\n<p>9:00 AM Panels<\/p>\n\n\n\n<p>05A. Recursive Poetics<\/p>\n\n\n\n<p>217 Donald P. Corbett Building (DPC)<br>Donna K. Hollenberg, University of Connecticut<br>\u201cSinging Light in Darkness\u201d: John Taggart\u2019s Poems for<br>Mark Rothko<br>Michael Peters<br>Algorithmic Contexts Surprising \u201cPoetry\u201d: Jackson Mac Low in the 1980s<br>Mark Mendoza, Miami University, Ohio<br>Versioning in Bob Cobbing\u2019s Work<\/p>\n\n\n\n<p>05B. Necessary Experience<\/p>\n\n\n\n<p>218 Donald P. Corbett Building (DPC)<br>Erica H. Bernheim, Florida Southern College<br>Clouds That Will Open to Nothing: Revelations and Rules in<br>James Dickey\u2019s Later Poems<br>Margaret Anne Smith, University of New Brunswick at St. John Mary Oliver in the 1980s: (An) American Primitive in an Age of Triumphalism<br>Chris Winkler, Temple University<br>James Merrill\u2019s Late Style<\/p>\n\n\n\n<p>05C. Foregrounding and Rethinking Theoretical Frameworks<\/p>\n\n\n\n<p>115 Donald P. Corbett Building (DPC)<br>Franklin Bruno<br>Wittgenstein Abuse<br>Burt Kimmelman, New Jersey Institute of Technology<br>The Emergence of LangPo and NeoObjectivist Poetry and<br>Poetics in the 1980s<br>V. Nicholas LoLordo, University of Nevada, Las Vegas Reading Eighties Reading: The Yale School and the Language Poets<\/p>\n\n\n\n<p>05D. Feminism in the 1980s<\/p>\n\n\n\n<p>107 Donald P. Corbett Building (DPC) Arielle Greenberg, Organizer and Chair Arielle Greenberg, University of Tampa<br>W(h)ither Feminist Poetics in the \u201880s?: Some Speculative<br>History<br>Linda Russo, Washington State University<br>Geographies of Relations: Women\u2019s Long Poems<br>Catherine Wagner, Miami University, Ohio Identificatory Stances and Identificatory Trances: Denise Riley and the Legacy of Her Lyric Argument<\/p>\n\n\n\n<p>10:30 AM Coffee and refreshments DPC Lobby<\/p>\n\n\n\n<p>11:00 AM Panels<\/p>\n\n\n\n<p>06A. Temporality<\/p>\n\n\n\n<p>217 Donald P. Corbett Building (DPC)<br>Stephanie Anderson, University of Chicago<br>The Submerged Date in Coolidge and Eigner, 1982\u201384<br>Charmaine Cadeau, High Point University<br>\u201cTime After Time\u201d: Creeley in the \u201880s<br>Lytle Shaw, New York University<br>The Eigner Sanction: Keeping Time From the American Century<\/p>\n\n\n\n<p>06B. Gay Poetics: AIDS, Place, Postmodernism<\/p>\n\n\n\n<p>218 Donald P. Corbett Building (DPC)<br>Kevin Killian, Respondent<br>Nate Mickelson, City University of New York<br>Towards a Gay Poetics of Place: AIDS and the Vulnerability of<br>Urban Environments<br>Adra Raine, University of North Carolina<br>Pretty in Pastiche: Theorizing the Postmodern Reader<br>Katie Fuller, University of Maine<br>New York Dolls: Frank O\u2019Hara, David Trinidad, and the<br>New York School Legacy<\/p>\n\n\n\n<p>06C. Feminist Avant-Garde<\/p>\n\n\n\n<p>107 Donald P. Corbett Building (DPC)<br>Edric Mesmer, Buffalo State College<br>Top Stories of the 1980s: Feminism, Consumption, and the Avant-Garde<br>Andy Meyer, University of Washington<br>Unmapping the Self: Feminism, Wildness, and the Open Text<br>Miriam Nichols, University of the Fraser Valley, Canada<br>Allegories of the Medusa: Nicole Brossard\u2019s \u00e9criture f\u00e9minine and the Unfreezing of the Real<\/p>\n\n\n\n<p>06D. Poetry on Film and Video Hill Auditorium, Barrows Hall Dale Enggass, University of Utah<\/p>\n\n\n\n<p>\u201c. . . An up to date way to read\u201d: Cut-ups, Film and<br>Peter Seaton\u2019s The Son Master<br>Natalia Fedorova, Massachusetts Institute of Technology<br>Videopoetics in the \u201880s<br>Tom Konyves, University of the Fraser Valley, Canada<br>Videopoetry: The Birth of a New Genre<\/p>\n\n\n\n<p>06E. Language Poetry: International Cluster<\/p>\n\n\n\n<p>115 Donald P. Corbett Building (DPC)<br>Charles Bernstein, Respondent<br>Tomasz Cie\u015blak-Soko\u0142owski, Jagiellonian University, Poland International Language Poetry: From Charles Bernstein to Andrzej Sosnowski<br>Peter Culley<br>Leisure Poetry<br>Abigail Lang, Universit\u00e9 Paris-Diderot<br>The Franco-American Conversation in the 1980s<\/p>\n\n\n\n<p>Lunch, 12:30 \u2013 1:45 PM, Maine Marketplace, Memorial Union<\/p>\n\n\n\n<p>2:00 PM Panels<\/p>\n\n\n\n<p>07A. New Social Movements<\/p>\n\n\n\n<p>215 Donald P. Corbett Building (DPC)<br>Jennifer Russo, Hunter College<br>Hannah Weiner, Jimmie Durham, and the American Indian<br>Movement: Tendency Poetry in the 1980s<br>Samuel Solomon, University of Southern California<br>1980, or the End of the World: Disaster and Reproduction in the<br>Poetry of Wendy Mulford<\/p>\n\n\n\n<p>07B. \u201cA Sisterhood of Exploration\u201d: The Feminist Project of<br>HOW(ever)<\/p>\n\n\n\n<p>107 Donald P. Corbett Building (DPC) Linda Kinnahan, Organizer and Chair Laura Hinton, City College of New York<br>On \u201cNew or Neglected Relevant Women Poets\u201d: The Feminist<br>Interiors of HOW(ever)<br>Linda Kinnahan, Duquesne University<br>Visual Texts in HOW(ever)<br>Megan Swihart Jewell, Case Western Reserve University<br>Between Collaboration and Convention: (HOW)ever\u2019s Influence on Criticism<\/p>\n\n\n\n<p>07C. New England in the 1980s: Hub of the Poetic Universe<\/p>\n\n\n\n<p>115 Donald P. Corbett Building (DPC)<br>Ed Foster, Organizer and Chair<br>Ed Foster, Stevens Institute of Technology<br>The Calvinist That Just Won\u2019t Go Away: Creeley, Bronk, and<br>Dickinson<br>Burt Kimmelman, New Jersey Institute of Technology<br>The New New England Mind: Perry Miller, F. O. Matthiessen, Henry David Thoreau, William Bronk, Susan Howe, and the Reimagining of Place<br>J. Peter Moore, Duke University<br>Our Boston Accent: Eileen Myles\u2019s Vernacular Poetics<\/p>\n\n\n\n<p>07D. Bad Propaganda for Time<\/p>\n\n\n\n<p>217 Donald P. Corbett Building (DPC)<br>Aaron Kunin, Pomona College, Organizer (in absentia)<br>Michael Clune, Case Western Reserve University<br>Language Time: The Case of Suspended<br>Paul Jaussen, Case Western Reserve University<br>Messianic History in the Diasporic Life Poem<br>Megan Kaminski, University of Kansas<br>Leslie Scalapino\u2019s \u201cLovely City\u201d: Mapping the Body in Urban<br>Space<\/p>\n\n\n\n<p>07E. Bern Porter<\/p>\n\n\n\n<p>Hill Auditorium, Barrows Hall<br>Mark Melnicove<br>Bern Porter \u2019s Found and Sound Poetry of the 1980s<\/p>\n\n\n\n<p>4:00 PM Plenary Panel<\/p>\n\n\n\n<p>08. Of Time and Bodies: New Black Aesthetics\/New Black<br>Critique<\/p>\n\n\n\n<p>100 Donald P. Corbett Building (DPC)<br>Aldon Lynn Nielsen, Pennsylvania State University, Organizer and Chair<br>Mecca Jamilah Sullivan, Williams College<br>\u201cYou are an Imperative\u201d: Black Women\u2019s Embodied Poetics of<br>Difference<br>Evie Shockley, Rutgers University<br>What Comes After \u201cNation Time\u201d? Diasporic Configurations of Time in the African-American \u201880s<br>Meta DuEwa Jones, University of Texas at Austin<br>Ntozake Shange\u2019s Peripatetic Poetics of the Eighties: Locating Diaspora in A Daughter\u2019s Geography<\/p>\n\n\n\n<p>5:30 PM Pre-banquet reception and cash bar<br>Wells Conference Center, Lobby and Room 3<\/p>\n\n\n\n<p>6:00 PM Banquet<br>Wells Conference Center, Main Room<\/p>\n\n\n\n<p>8:00 PM Keynote Address<\/p>\n\n\n\n<p>Minsky Recital Hall, Class of 1944 Hall<br>Marjorie Perloff, University of Southern California Language Writing and the Rapprochement between Poetry and Criticism: Charles Bernstein\u2019s Content\u2019s Dream and Susan Howe\u2019s My Emily Dickinson<\/p>\n\n\n\n<p>9:00 PM Keynote Address<\/p>\n\n\n\n<p>Minsky Recital Hall, Class of 1944 Hall<br>Kevin Killian<br>Activism, Gay Poetry, AIDS in the 1980s<\/p>\n\n\n\n<p>10:00 PM \u2013 midnight, Poetry in Performance<\/p>\n\n\n\n<p>Room 100, Class of 1944 Hall<br>A multi-media experiment with five poets using image, song, and choreography curated by Laura Hinton<br>With Laura Hinton, Aldon Nielsen, Linda Russo, Evie Shockley, and Cathy Wagner<\/p>\n\n\n\n<p>10:00 PM Open Readings<br>Bodwell Lounge, Collins Center for the Arts (CCA)<\/p>\n\n\n\n<p><strong>Saturday, 30 June<\/strong><\/p>\n\n\n\n<p>Coffee and refreshments available beginning at 8:00 AM<br>Donald P. Corbett Building (DPC) Lobby<\/p>\n\n\n\n<p>Bookfair, 9:00 AM \u2013 4:00 PM<br>Donald P. Corbett Building (DPC) Lobby<\/p>\n\n\n\n<p>9:00 AM Panels<\/p>\n\n\n\n<p>09A. Adrienne Rich and Diane Di Prima<\/p>\n\n\n\n<p>215 Donald P. Corbett Building (DPC)<br>Rebecca Steffy Couch, University of Wisconsin-Madison<br>Spanning the Space that Separates: Space, Difference, and the<br>Nation in Adrienne Rich<br>Alec Marsh, Muhlenberg College<br>Two Poets in the Age of Terror: Adrienne Rich and<br>Peter Dale Scott<\/p>\n\n\n\n<p>09B. Responses to Modernist Poetry in the 1980s: Criticism, Poetry, and Translation<\/p>\n\n\n\n<p>105 Donald P. Corbett Building (DPC)<br>Demetres P. Tryphonopoulos, University&nbsp; of New Brunswick,&nbsp; Organizer and Chair<br>Raymond Tyler Babbie, University of Washington<br>H.D. in the \u201880s<br>Sara Dunton, University of New Brunswick<br>Critical Casting of H.D. and Mina Loy in the 1980s: From the<br>Shadows into the Spotlight<br>Svetlana Nedeljkov, University of New Brunswick<br>They Did Pound in Different Voices: Translations of Ezra Pound into Serbo-Croatian (1961\u20131980)<br>Trevor Sawler, St. Thomas University, Canada<br>Robert Kroetsch\u2019s Poetic Technique: Imitating the Modernists<\/p>\n\n\n\n<p>09C. Bruce Andrews<\/p>\n\n\n\n<p>107 Donald P. Corbett Building (DPC)<br>Jeremiah Rush Bowen, University at Buffalo, SUNY<br>Offensive Poetics: Practice, Extension, and Productivity in the<br>Poetics of Bruce Andrews<br>Dennis B\u00fcscher-Ulbrich, University of Kiel, Germany<br>Reagan-Era Word Bombing?: Bruce Andrews, Dissensus, and the Critique of Subjectivity: The Poet as Editor as Reader<br>Alan Clinton, Santa Clara University<br>The Encyclopedic Impulse: Poetry Before the Internet<\/p>\n\n\n\n<p>09D. Transmission, Tradition, and Change<\/p>\n\n\n\n<p>115 Donald P. Corbett Building (DPC)<br>Susan Gilmore, Central Connecticut State University<br>Primer Time: The 1980s Poetics of Gwendolyn Brooks<br>Alan Golding, University of Louisville<br>Armand Schwerner \u2019s Scholar-Translator: Notes, Paratexts, Avant-Garde Poetics and Institutional Form(ation)s<br>Jonathan Skinner<br>Scratching the Beat Surface: Ecopoetics in the 1980s<\/p>\n\n\n\n<p>09E. Euphemisms for an Empire<\/p>\n\n\n\n<p>117 Donald P. Corbett Building (DPC)<br>Jeremy F. Green, University of Colorado Boulder<br>Raworth at Length<br>David Herd, University of Kent, UK<br>Declining National Culture: The Dislocated Poetics of<br>A Various Art<br>Ann Vickery, Deakin University, Australia<br>Taking Poetry to the Beach: Ken Bolton and the Coalcliff Years in Australian Poetry<\/p>\n\n\n\n<p>10:30 AM Coffee and refreshments DPC Lobby<\/p>\n\n\n\n<p>11:00 AM Panels<\/p>\n\n\n\n<p>10A. Small Presses and Magazines<\/p>\n\n\n\n<p>105 Donald P. Corbett Building (DPC)<br>Laura Moriarty<br>Editing the \u201880s: Jerry Estrin\u2019s Vanishing Cab<br>Daniel Scott Snelson, University of Pennsylvania<br>Relocating Jimmy &amp; Lucy\u2019s&nbsp; House of \u201cK\u201d<br>Donald Wellman, Daniel Webster College<br>Editing Coherence in 1981: Desire in the Shadow of<br>First-Generation Language-Centered Poetry<\/p>\n\n\n\n<p>10B. Liquid Precursors<br>107 Donald P. Corbett Building (DPC)<\/p>\n\n\n\n<p>Patrick Pritchett, Harvard University<br>Thinking in Ruins: Ezra Pound, Gustaf Sobin, and<br>The Stones of Provence<br>Sean Reynolds, University at Buffalo, SUNY<br>\u201cI could not let eu go\u201d: Robert Duncan Falls for the Wrong Verb<br>Kenneth Warren<br>Archetypal Configurations in Clayton Eshleman\u2019s Underworld<br>Poetics<\/p>\n\n\n\n<p>10C. Interrogating Agency, Authorship, and Reproduction<br>117 Donald P. Corbett Building (DPC)<\/p>\n\n\n\n<p>John Beer, Portland State University<br>Addressing the Audience, One by One: Fiona Templeton\u2019s<br>You\u2014the City<br>Sara DiMaggio, Pennsylvania State University<br>\u201cthis live belly\u2014whose\u2014mine?\u201d: Imagining the Pregnant<br>Subject in Anne Waldman\u2019s First Baby Poems<br>Alison Fraser, University at Buffalo, SUNY<br>Authorship and Autonomy in Susan Howe\u2019s The Liberties<\/p>\n\n\n\n<p>10D. Artifice of Otherness<br>115 Donald P. Corbett Building (DPC)<\/p>\n\n\n\n<p>Joel Duncan, University of Notre Dame<br>Autonomy or\/as Complicity: John Wilkinson and Ron Silliman<br>Keith Tuma, Miami University, Ohio<br>On Stephen Rodefer \u2019s Four Lectures<\/p>\n\n\n\n<p>Lunch, 12:30 \u2013 1:45 PM, Maine Marketplace, Memorial Union<\/p>\n\n\n\n<p>2:00 PM Panels<\/p>\n\n\n\n<p>11A. After the Black Arts<\/p>\n\n\n\n<p>105 Donald P. Corbett Building (DPC)<br>Fahamisha Patricia Brown, Metropolitan College of New York<br>Black Women Poets of the 1980s<br>Grant Jenkins, University of Tulsa<br>The Other of \u201cCommunity\u201d: Erica Hunt and the History of<br>Language Poetry<br>David Lau, University of California at Santa Cruz<br>Work from the \u201880s by Will Alexander and Nathaniel Mackey<\/p>\n\n\n\n<p>11B. John C. (Jack) Clarke: Poetry as Negentropic Project<\/p>\n\n\n\n<p>217 Donald P. Corbett Building (DPC)<br>John Roche, Rochester Institute&nbsp; of Technology, Organizer&nbsp; and Chair<br>Alan Casline<br>Demise and Survival: Steps Towards a Place of Meeting for<br>John C. (Jack) Clarke and A Curriculum&nbsp; of the Soul<br>Bruce Holsapple<br>Getting Past the \u201cLyric Block\u201d and the Individual as Ego: Poetic Method in John Clarke\u2019s In the Analogy<br>Kenneth Warren<br>Dead Beats: Jack Clarke, \u201cRegulation\u201d and the Homeric Chain<\/p>\n\n\n\n<p>11C. Politics, Language Writing, and Community<\/p>\n\n\n\n<p>107 Donald P. Corbett Building (DPC)<br>Brian Ang<br>Language Writing and the Present<br>Ryan Roderick, University of Maine<br>Theory, Art, and the (Re)Production of Critical Communities in<br>Hejinian\u2019s Language&nbsp; of Inquiry<br>Anna Vitale, University of Wisconsin-Madison Revisiting What Makes Language Poetry Political: Representations of Force in Barrett Watten\u2019s Progress<\/p>\n\n\n\n<p>11D. Gnostics, Mystics, and Heretics of the Reagan Years<\/p>\n\n\n\n<p>117 Donald P. Corbett Building (DPC) Robert Archambeau, Organizer and Chair Robert Archambeau, Lake Forest College<br>History, Totality, Silence: John Matthias\u2019 \u201cA Compostela<br>Diptych\u201d<br>Joseph Donahue, Duke University<br>John Taggart and the Rothko Chapel<br>Stephen Fredman, University of Notre Dame<br>Strange Angels: Laurie Anderson and Spirituality at the End of the Cold War<\/p>\n\n\n\n<p>11E. Poetry and Visual Arts<\/p>\n\n\n\n<p>115 Donald P. Corbett Building (DPC)<br>Mei-mei Berssenbrugge, Respondent<br>Robert Dewhurst, University at Buffalo, SUNY<br>Rimbaud in New York: Expressionist Lyric in the \u201880s<br>Laura Hinton, City College of New York<br>Behind Hiddenness: Mei-mei Berssenbrugge\u2019s Artist-Book<br>Collaboration with Richard Tuttle<br>Kimberly Lamm, Duke University<br>Listening to Musicality (1989): Barbara Guest\u2019s Collaborative<br>Poetics and the Possibility for Feminism in the 1980s<\/p>\n\n\n\n<p>4:00 PM Plenary Panel<\/p>\n\n\n\n<p>12. Discrepant Engagements: Long Form and Hybrid Genres in the Writing of Nathaniel Mackey, Erica Hunt, Beverly Dahlen, Anne Waldman and Robert Gl\u00fcck<\/p>\n\n\n\n<p>100 Donald P. Corbett Building (DPC) Robin Tremblay-McGaw, Organizer and Chair Robin Tremblay-McGaw, Santa Clara University<br>Fugitivity and the Archive in Nathaniel Mackey\u2019s Bedouin<br>Hornbook<br>Rob Halpern, Eastern Michigan University (in absentia)<br>\u201cWhere No Meaning Is\u201d: Robert Gl\u00fcck\u2019s Jack the Modernist and the Expulsion of Desire (read by Kevin Killian)<br>Erica Kaufman, City University of New York (in absentia) Rewriting the Epic Hero(ine): Anne Waldman\u2019s Revisioning of the Epic (read by Catherine Wagner)<br>Kathy Lou Schultz, University of Pennsylvania<br>Poetry and Real Things: Erica Hunt\u2019s Local History<br>Kaplan Harris, St. Bonaventure University<br>The Long Poem Which Is Not One: Beverley Dahlen\u2019s<br>A Reading in the Magazines<\/p>\n\n\n\n<p>Dinner<br>See registration folder for list of local restaurants<\/p>\n\n\n\n<p>8:00 PM Keynote Reading Minsky Recital Hall, Class of 1944 Hall Mei-mei Berssenbrugge<\/p>\n\n\n\n<p>9:00 PM Keynote Reading Minsky Recital Hall, Class of 1944 Hall Nathaniel Mackey<\/p>\n\n\n\n<p>10:00 PM Open Readings<br>Bodwell Lounge, Collins Center for the Arts (CCA)<\/p>\n\n\n\n<p>Poetry &amp; Poetics of the 1980s Conference Organizers<\/p>\n\n\n\n<p>Conference Directors: Carla Billitteri and Steve Evans<\/p>\n\n\n\n<p>Executive Director: Gail Sapiel<\/p>\n\n\n\n<p>Publications and Bookfair: Betsy Rose<\/p>\n\n\n\n<p>NPF Graduate Assistants: James Brophy, Katie Fuller, Jason Mitchell<\/p>\n\n\n\n<p>Volunteers, MA Program and Alumni: Maurice Burford, Jason Canniff, Krestia DeGeorge, Aaron Pinnix, Clinton Spaulding, Aleksandra Swatek, Erin Workman<\/p>\n\n\n\n<p>Volunteers, BA Program and Alumni: Alexandrea Becker, Christopher Burns, Joseph Manley, Sean Miller, Aya Mares, Wesley Pelletier<\/p>\n\n\n\n<p>Special thanks to:<\/p>\n\n\n\n<p>President Paul Ferguson, for his support of the Humanities at the<br>University of Maine.<\/p>\n\n\n\n<p>Jeff Hecker, Dean of the College of Liberal Arts and Sciences, for his leadership and for his steady and invaluable support of the National Poetry Foundation.<\/p>\n\n\n\n<p>Naomi Jacobs, Chair of the English Department, for five years of fruitful collaboration and generous support, and for her careful stewardship of the contents of a certain whisky carton.<\/p>\n\n\n\n<p>Daniel Sandweiss, Dean of the Graduate School, for his ongoing support of the NPF Graduate Assistantships.<\/p>\n\n\n\n<p>Charlie Slavin, Dean of the Honors College, for his support of the National Poetry Foundation and the New Writing Series through the Honors Odyssey.<\/p>\n\n\n\n<p>George Kinghorn, Director of the University of Maine Museum of Art, and Laurie Hicks, Professor of Art and Curator of Lord Hall Galleries, for curating the \u201cArt of the 1980s: Images from the UMMA Collection\u201d exhibit at Lord Hall Gallery.<\/p>\n\n\n\n<p>Stephen and Tabitha King, for their support of the NPF over the years.<\/p>\n\n\n\n<p>Frank T. and Helene Crohn, for their endowment in 2010 of the Millay Prize for Poetry, administered by the National Poetry Foundation and awarded annually to a graduate student of Creative Writing-Poetry and\/or Poetry &amp; Poetics at UMaine.<\/p>\n\n\n\n<p>The late Jane Morse, for her donation of papers leading in 2009 to the establishment of the Jane Crowell Morse and Samuel French Morse Fund for programmatic support of the English department and National Poetry Foundation.<\/p>\n\n\n\n<p>MaJo Keleshian, for designing the conference poster.<\/p>\n\n\n\n<p>Benjamin Friedlander and Jennifer Moxley, for their patience and timely advice.<\/p>\n\n\n\n<p>David Adkins, of the School of Performing Arts, for his help in arranging the events in Minsky Recital Hall.<\/p>\n\n\n\n<p>Tracey Whitten, of the University Inn, and the staff at the Black Bear<br>Inn for local accommodations.<\/p>\n\n\n\n<p>Marlene Charron, of UMaine Conference Services, for all her tireless work with us on every aspect of this Conference.<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The complete program can be found in pdf format&nbsp;(here) Program Poetry and Poetics of the 1980s June 27 \u2013 30, 2012 P R O G R A M National Poetry Foundation University of Maine Orono, Maine Wednesday, 27 June Registration, 12 noon \u2013 5:00 PMDoris Twitchell Allen Village (DTAV) Community Building Opening Reception, 7:00 \u2013 [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-953","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This 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