{"id":839,"date":"2023-03-08T10:10:43","date_gmt":"2023-03-08T15:10:43","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=839"},"modified":"2024-10-08T15:21:01","modified_gmt":"2024-10-08T19:21:01","slug":"volume-36-1-2-2010","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-36-1-2-2010\/","title":{"rendered":"Paideuma 36"},"content":{"rendered":"<style>.kb-row-layout-id839_5975d0-0c > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id839_5975d0-0c > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id839_5975d0-0c > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id839_5975d0-0c > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id839_5975d0-0c > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id839_5975d0-0c > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id839_5975d0-0c alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column839_f865d2-fd > .kt-inside-inner-col,.kadence-column839_f865d2-fd > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column839_f865d2-fd > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column839_f865d2-fd > .kt-inside-inner-col{flex-direction:column;}.kadence-column839_f865d2-fd > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column839_f865d2-fd > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column839_f865d2-fd{position:relative;}@media all and (max-width: 1024px){.kadence-column839_f865d2-fd > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column839_f865d2-fd > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column839_f865d2-fd\"><div class=\"kt-inside-inner-col\"><style>.kb-image839_0aad02-33 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image839_0aad02-33 size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"659\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-361.jpg\" alt=\"Thumbnail of cover for Paideuma volume 36\" class=\"kb-img wp-image-463\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-361.jpg 659w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-361-193x300.jpg 193w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-361-90x140.jpg 90w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-361-317x493.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-361-423x657.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-361-634x985.jpg 634w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,659px\" \/><figcaption>Volume 36 \/ 2010<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column839_ead0c1-9c > .kt-inside-inner-col,.kadence-column839_ead0c1-9c > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column839_ead0c1-9c > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column839_ead0c1-9c > .kt-inside-inner-col{flex-direction:column;}.kadence-column839_ead0c1-9c > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column839_ead0c1-9c > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column839_ead0c1-9c{position:relative;}@media all and (max-width: 1024px){.kadence-column839_ead0c1-9c > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column839_ead0c1-9c > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column839_ead0c1-9c\"><div class=\"kt-inside-inner-col\">\n<p><strong>Preface<\/strong><\/p>\n\n\n\n<p><strong>Essays<\/strong><\/p>\n\n\n\n<p>Robert Stark, \u201c\u2018Toils Obscure An\u2019 A\u2019 That\u2019: Romantic and Celtic Influences in \u2018Hilda\u2019s Book\u2019\u201d<\/p>\n\n\n\n<p>Sean Pryor, \u201cParticularly Dangerous Feats: The Difficult Reader of the Difficult Late Cantos\u201d<\/p>\n\n\n\n<p>Sarah Barnsley, \u201c\u2018Sand Is the Beginning and the End \/ of Our Dominion\u2019: Mary Barnard, H.D. and Imagism\u201d<\/p>\n\n\n\n<p>Aimee Pozorski, \u201cTraumatic Survival and the Loss of a Child: Reznikoff\u2019s&nbsp;<em>Holocaust<\/em>&nbsp;Revisited\u201d<\/p>\n\n\n\n<p>Patrick Barron, \u201cUnmasked Representations of Space in Edward Dorn\u2019s \u2018The Land Below\u2019 and \u2018Idaho Out\u2019\u201d<\/p>\n\n\n\n<p>Andrea Brady, \u201cMaking Use of This Pain: The John Wieners Archives\u201d<\/p>\n\n\n\n<p>Kaplan Harris, \u201cGender Performance, Performance Enhancement, and Poetry: Reading Ted Berrigan After Viagra\u201d<\/p>\n\n\n\n<p>Tony Brinkley and Joesph Arsenault, \u201c\u2018This is where the serpent lives\u2019: Wordsworthian Poetics and Contemporary American Poetry\u201d<\/p>\n\n\n\n<p><strong>Reviews<\/strong><\/p>\n\n\n\n<p>Ronald Bush (<em>Ezra Pound: Canti postumi<\/em>, a cura di Massimo Bacigalupo)<\/p>\n\n\n\n<p>Robert Kibler (<em>Ernest Fenollosa and Ezra Pound\u2019s The Chinese Written Character as a Medium for Poetry, A Critical Edition<\/em>, ed. Haun Saussy, Jonathan Stalling, and Lucas Klein)<\/p>\n\n\n\n<p>Mariacrstina Natalia Bertoli (<em>Ezra Pound, Language and Persona<\/em>, ed. Massimo Bacigalupo and William Pratt)<\/p>\n\n\n\n<p>Joseph Conte (Anne Day Dewey,&nbsp;<em>Beyond Maximus: The Construction of Public Voice in Black Mountain Poetry<\/em>)<\/p>\n\n\n\n<p>Justin Parks (Peter Nicholls,&nbsp;<em>George Oppen and the Fate of Modernism<\/em>)<\/p>\n\n\n\n<p>Lara Vetter (Mark S. Morrisson,&nbsp;<em>Modern Alchemy: Occultism and the Emergence of Atomic Theory<\/em>)<\/p>\n\n\n\n<p><strong>In Memoriam<\/strong><\/p>\n\n\n\n<p>Paul Montgomery, 1936-2008&nbsp;<em>by Massimo Bacigalupo<\/em><\/p>\n\n\n\n<p>Giano Accame, 1928-2009&nbsp;<em>by Massimo Bacigalupo<\/em><\/p>\n\n\n\n<p>G. Singh, 1926-2009&nbsp;<em>by Massimo Bacigaluopo<\/em><\/p>\n\n\n\n<p>Omar Pound, 1926-2010&nbsp;<em>by Tim Redman<\/em><\/p>\n\n\n\n<p>Cover: William Aikman,&nbsp;<em>Allan Ramsay<\/em>. Courtesy Scottish National Portrait Gallery. The website of the National Galleries of Scotland includes the following caption beside this portrait:<\/p>\n\n\n\n<p><em>Allan Ramsay began his career in Edinburgh as a wigmaker; he went on to become a bookseller, successful poet and an important member of Edinburgh\u2019s literary and artistic circles. He was a close friend of the artist, William Aikman, and this portrait was owned by another friend, Sir John Clerk of Penicuik. Clerk wrote on the back of the canvas, imitating Ramsay\u2019s verse: \u201cHere painted on this canvas clout by Aikman\u2019s hand is Ramsay\u2019s snout.\u201d<\/em><\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Preface Essays Robert Stark, \u201c\u2018Toils Obscure An\u2019 A\u2019 That\u2019: Romantic and Celtic Influences in \u2018Hilda\u2019s Book\u2019\u201d Sean Pryor, \u201cParticularly Dangerous Feats: The Difficult Reader of the Difficult Late Cantos\u201d Sarah Barnsley, \u201c\u2018Sand Is the Beginning and the End \/ of Our Dominion\u2019: Mary Barnard, H.D. and Imagism\u201d Aimee Pozorski, \u201cTraumatic Survival and the Loss of [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-839","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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