{"id":613,"date":"2023-02-21T11:29:51","date_gmt":"2023-02-21T16:29:51","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=613"},"modified":"2024-10-08T14:45:50","modified_gmt":"2024-10-08T18:45:50","slug":"paideuma-45","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/paideuma-45\/","title":{"rendered":"Paideuma 45"},"content":{"rendered":"<style>.kb-row-layout-id613_2dab63-d6 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id613_2dab63-d6 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id613_2dab63-d6 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id613_2dab63-d6 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id613_2dab63-d6 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id613_2dab63-d6 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id613_2dab63-d6 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column613_6a7440-42 > .kt-inside-inner-col,.kadence-column613_6a7440-42 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column613_6a7440-42 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column613_6a7440-42 > .kt-inside-inner-col{flex-direction:column;}.kadence-column613_6a7440-42 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column613_6a7440-42 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column613_6a7440-42{position:relative;}@media all and (max-width: 1024px){.kadence-column613_6a7440-42 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column613_6a7440-42 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column613_6a7440-42\"><div class=\"kt-inside-inner-col\"><style>.kb-image613_503c51-01 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image613_503c51-01 size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"457\" height=\"666\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai45.png\" alt=\"Thumbnail of cover for Paideuma volume 45\" class=\"kb-img wp-image-471\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai45.png 457w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai45-206x300.png 206w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai45-96x140.png 96w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai45-317x462.png 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai45-423x616.png 423w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,457px\" \/><figcaption>Volume 45 \/ 2020<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column613_58424e-0a > .kt-inside-inner-col,.kadence-column613_58424e-0a > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column613_58424e-0a > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column613_58424e-0a > .kt-inside-inner-col{flex-direction:column;}.kadence-column613_58424e-0a > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column613_58424e-0a > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column613_58424e-0a{position:relative;}@media all and (max-width: 1024px){.kadence-column613_58424e-0a > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column613_58424e-0a > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column613_58424e-0a\"><div class=\"kt-inside-inner-col\">\n<p><strong>Symposium: Literary History<\/strong><\/p>\n\n\n\n<p>H\u00e9l\u00e8ne Aji, \u201c<em>Paideuma<\/em>: The Ethics of Scholarly Criticism\u201d<\/p>\n\n\n\n<p>Gregory Betts, \u201cPounding the Concrete: A Short Note on Nomadic Scholarship\u201d<\/p>\n\n\n\n<p>James Brophy, \u201cWalter Pater, Roland Barthes, and Aesthetic Idiosyncrasy: A Critical Experiment in Paideia\u201d<\/p>\n\n\n\n<p>David Buuck, \u201c<em>Paideuma<\/em>&nbsp;Forum\u201d<\/p>\n\n\n\n<p>Cristina Giorcelli<\/p>\n\n\n\n<p>Kaiser Haq, \u201cMany Histories\u201d<\/p>\n\n\n\n<p>Jeanne Heuving, \u201cRevisioning Aesthetics as Transnational and Intermedia Writing\u201d<\/p>\n\n\n\n<p>Erin Kappeler, \u201cThe Return of the Nineteenth Century\u201d<\/p>\n\n\n\n<p>J. Peter Moore<\/p>\n\n\n\n<p>Chris Nealon<\/p>\n\n\n\n<p>Nancy Ellen Ogle, \u201cSome Thoughts on Poetry and Music\u201d<\/p>\n\n\n\n<p>Josephine Park<\/p>\n\n\n\n<p>Joshua Schuster, \u201cExtrapolations for&nbsp;<em>Paideuma<\/em>\u201c<\/p>\n\n\n\n<p>Lytle Shaw, \u201cPasolini\u2019s Homemade Historiography\u201d<\/p>\n\n\n\n<p>Brian Kim Stefans<\/p>\n\n\n\n<p>Erica Weaver, \u201cChaucer, Williams, and the \u2018American Idiom&#8217;\u201d<\/p>\n\n\n\n<p>Tyrone Williams, \u201cAlongside and With: Lorenzo Thomas, the Lower East Side, and&nbsp;<em>Umbra<\/em>\u201c<\/p>\n\n\n\n<p><strong>Other Essays<\/strong><\/p>\n\n\n\n<p>Nathaniel Davis, \u201cLanguage, Philosophy, and Kulchur: Pound\u2019s Neo-Confucian Neoplatonism\u201d<\/p>\n\n\n\n<p>David Lloyd, \u201cDylan Thomas and Kenneth Rexroth: \u2018something terribly unbritish&#8217;\u201d<\/p>\n\n\n\n<p>Amy Carpenter, \u201c\u2018My craft required the same\/\/crouching care\u2019: Ordinary Rituals in Derek Walcott\u2019s&nbsp;<em>Omeros<\/em>\u201c<\/p>\n\n\n\n<p>Robert Baker, \u201cForrest Gander\u2019s Phenomenology of Encounter\u201d<\/p>\n\n\n\n<p>Florian Gargaillo, \u201cLouise Gl\u00fcck and Dialogue\u201d<\/p>\n\n\n\n<p><strong>Note<\/strong><\/p>\n\n\n\n<p>Thomas Palaima, \u201cPound and Owen: A Correction\u201d<\/p>\n\n\n\n<p><strong>Documents<\/strong><\/p>\n\n\n\n<p>Zhu Yuhan and Yu Yanghuan, \u201cPoetry and Interpretation: An Interview with Charles Altieri\u201d<\/p>\n\n\n\n<p>Jennifer Moxley, \u201cDear Kevin\u201d<\/p>\n\n\n\n<p><strong>Review<\/strong><\/p>\n\n\n\n<p>Jeffrey Meyers, \u201cLiterary Godfathers\u201d<\/p>\n\n\n\n<p><strong>Departments<\/strong><\/p>\n\n\n\n<p>In Memoriam: Emily Mitchell Wallace<\/p>\n\n\n\n<p>Cover: Photograph by Taraneh Hemami<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Symposium: Literary History H\u00e9l\u00e8ne Aji, \u201cPaideuma: The Ethics of Scholarly Criticism\u201d Gregory Betts, \u201cPounding the Concrete: A Short Note on Nomadic Scholarship\u201d James Brophy, \u201cWalter Pater, Roland Barthes, and Aesthetic Idiosyncrasy: A Critical Experiment in Paideia\u201d David Buuck, \u201cPaideuma&nbsp;Forum\u201d Cristina Giorcelli Kaiser Haq, \u201cMany Histories\u201d Jeanne Heuving, \u201cRevisioning Aesthetics as Transnational and Intermedia Writing\u201d Erin [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-613","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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