{"id":372,"date":"2023-02-09T11:26:20","date_gmt":"2023-02-09T16:26:20","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=372"},"modified":"2024-10-08T11:18:06","modified_gmt":"2024-10-08T15:18:06","slug":"charles-reznikoff-man-and-poet","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/charles-reznikoff-man-and-poet\/","title":{"rendered":"Charles Reznikoff : Man and Poet"},"content":{"rendered":"<style>.kb-row-layout-id372_2acf54-0b > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id372_2acf54-0b > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id372_2acf54-0b > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id372_2acf54-0b > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id372_2acf54-0b > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id372_2acf54-0b > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id372_2acf54-0b alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column372_9b002d-9f > .kt-inside-inner-col,.kadence-column372_9b002d-9f > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column372_9b002d-9f > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column372_9b002d-9f > .kt-inside-inner-col{flex-direction:column;}.kadence-column372_9b002d-9f > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column372_9b002d-9f > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column372_9b002d-9f{position:relative;}@media all and (max-width: 1024px){.kadence-column372_9b002d-9f > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column372_9b002d-9f > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column372_9b002d-9f\"><div class=\"kt-inside-inner-col\"><style>.kb-image372_d1b50d-b5 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image372_d1b50d-b5 size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"662\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/reznikoff1984.jpg\" alt=\"Thumbnail of cover for Charles Reznikoff : Man and Poet\" class=\"kb-img wp-image-227\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/reznikoff1984.jpg 662w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/reznikoff1984-194x300.jpg 194w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/reznikoff1984-91x140.jpg 91w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/reznikoff1984-317x490.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/reznikoff1984-423x654.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/reznikoff1984-634x981.jpg 634w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,662px\" \/><figcaption>Charles Reznikoff : Man and Poet (1984)<\/figcaption><\/figure>\n\n\n<style>.wp-block-kadence-advancedbtn.kt-btns372_deaa16-a9, .site .entry-content .wp-block-kadence-advancedbtn.kt-btns372_deaa16-a9, .wp-block-kadence-advancedbtn.kb-btns372_deaa16-a9, .site .entry-content .wp-block-kadence-advancedbtn.kb-btns372_deaa16-a9{margin-bottom:35px;}.wp-block-kadence-advancedbtn.kb-btns372_deaa16-a9{gap:25px;justify-content:center;align-items:center;}.kt-btns372_deaa16-a9 .kt-button{font-weight:normal;font-style:normal;}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn.kb-btns372_deaa16-a9{padding-right:50px;padding-left:50px;}}@media all and (max-width: 767px){.wp-block-kadence-advancedbtn.kb-btns372_deaa16-a9{padding-right:25px;padding-left:25px;}}<\/style>\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns372_deaa16-a9 um-UMSingleWhiteandBlueButton\"><style>.wp-block-kadence-advancedbtn .kb-btn372_fa4d72-8c.kb-button{color:#003263;background:#ffffff;font-size:nonepx;border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;border-top:3px solid #003263;border-right:3px solid #003263;border-bottom:3px solid #003263;border-left:3px solid #003263;padding-top:7px;padding-right:25px;padding-bottom:7px;padding-left:25px;margin-top:40px;margin-bottom:40px;}.wp-block-kadence-advancedbtn .kb-btn372_fa4d72-8c.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn372_fa4d72-8c.kb-button:focus{color:#ffffff;background:#003263;border-top-color:#003263;border-top-style:solid;border-right-color:#003263;border-right-style:solid;border-bottom-color:#003263;border-bottom-style:solid;border-left-color:#003263;border-left-style:solid;}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn .kb-btn372_fa4d72-8c.kb-button{border-top:3px solid #003263;border-right:3px solid #003263;border-bottom:3px solid #003263;border-left:3px solid #003263;}}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn .kb-btn372_fa4d72-8c.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn372_fa4d72-8c.kb-button:focus{border-top-color:#003263;border-top-style:solid;border-right-color:#003263;border-right-style:solid;border-bottom-color:#003263;border-bottom-style:solid;border-left-color:#003263;border-left-style:solid;}}@media all and (max-width: 767px){.wp-block-kadence-advancedbtn .kb-btn372_fa4d72-8c.kb-button{border-top:3px solid #003263;border-right:3px solid #003263;border-bottom:3px solid #003263;border-left:3px solid #003263;}.wp-block-kadence-advancedbtn .kb-btn372_fa4d72-8c.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn372_fa4d72-8c.kb-button:focus{border-top-color:#003263;border-top-style:solid;border-right-color:#003263;border-right-style:solid;border-bottom-color:#003263;border-bottom-style:solid;border-left-color:#003263;border-left-style:solid;}}<\/style><a class=\"kb-button kt-button button kb-btn372_fa4d72-8c kt-btn-size-standard kt-btn-width-type-fixed kb-btn-global-outline  kt-btn-has-text-true kt-btn-has-svg-false  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(max-width: 767px){.kadence-column372_46813e-05 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column372_46813e-05\"><div class=\"kt-inside-inner-col\">\n<p>\u201cIf this collection fails to put Reznikoff more firmly on the scene, then I do not know what will.\u201d<\/p>\n\n\n\n<p><em>\u2014 Year\u2019s Work in English Studies<\/em><\/p>\n\n\n\n<p>\u201cAnother solid entry in the Man and Poet Series.\u201d<\/p>\n\n\n\n<p><em>\u2014 Modem Literature<\/em><\/p>\n\n\n\n<p>Contributions by Marie Syrkin, David Ignatow, Eliot Weinberger, Mary Oppen, Harvey Shapiro, Allen Ginsberg, Paul Auster, Michael Heller, L. S. Dembo, Linda W. Wagner, Linda Simon, Charles Tomlinson, George Oppen, Peter Quartermain, and others. Includes a selection of previously unpublished early poetry and an annotated bibliography of works about Reznikoff, 1920-1983.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Contents<\/h3>\n\n\n\n<p><strong>The Man<\/strong><\/p>\n\n\n\n<p>Marie Syrkin, \u201cCharles: A Memoir\u201d<\/p>\n\n\n\n<p>David Ignatow, \u201cCharles Reznikoff: A Memoir\u201d<\/p>\n\n\n\n<p>Eliot Wienberger, \u201cAnother Memory of Reznikoff\u201d<\/p>\n\n\n\n<p>Mary Oppen, \u201cWalking with Charles Reznikoff\u201d<\/p>\n\n\n\n<p>Harvey Shapiro, \u201cRemembering Charles Reznikoff\u201d<\/p>\n\n\n\n<p>Anthony Rudolf, \u201cThinking of Rezzy\u201d<\/p>\n\n\n\n<p>Ruth Whitman, \u201cCharles Reznikoff: A Person Encounter\u201d<\/p>\n\n\n\n<p>Charles Reznikoff, \u201cA Talk with L.S. Dembo\u201d<\/p>\n\n\n\n<p>Charles Reznikoff and Reinhold Schiffer, \u201cThe Poet in His Milieu\u201d<\/p>\n\n\n\n<p>Janet Sternburg and Alan Ziegler, \u201cA Conversation with Charles Reznikoff\u201d<\/p>\n\n\n\n<p><strong>The Poet<\/strong><\/p>\n\n\n\n<p>Allen Ginsberg, \u201cReznikoff\u2019s Poetics\u201d<\/p>\n\n\n\n<p>Paul Auster, \u201cThe Decisive Moment\u201d<\/p>\n\n\n\n<p>Michael Heller, \u201cThe Modernity of Charles Reznikoff\u201d<\/p>\n\n\n\n<p>Anne Stevenson with Michael Farley, \u201cCharles Reznikoff in His Tradition\u201d<\/p>\n\n\n\n<p>L.S. Dembo, \u201cObjectivist or Jew: Charles Reznikoff in the Diaspora\u201d<\/p>\n\n\n\n<p>Randolph Chilton, \u201cCharles Reznikoff: Objectivist Witness\u201d<\/p>\n\n\n\n<p>Linda W. Wagner, \u201cCharles Reznikoff, Master of the Miniature\u201d<\/p>\n\n\n\n<p>Linda Simon, \u201cReznikoff: The Poet as Witness\u201d<\/p>\n\n\n\n<p>Robert Franciosi, \u201cA Story of Vocation: Charles Reznikoff\u2019s&nbsp;<em>Rhythms<\/em>&nbsp;(1918)\u201d<\/p>\n\n\n\n<p>Tom Sharp, \u201cReznikoff\u2019s&nbsp;<em>Nine Plays<\/em>\u201d<\/p>\n\n\n\n<p>Charles Tomlinson, \u201cOf Charles Reznikoff\u201d<\/p>\n\n\n\n<p>George Oppen, \u201cFacsimile Letter to Milton Hindus\u201d<\/p>\n\n\n\n<p>Peter Quartermain, \u201cExploring the Mere: A Note on Charles Reznikoff\u2019s Shorter Poems\u201d<\/p>\n\n\n\n<p>Sylvia Rothchild, \u201cFrom a Distance and Up Close: Charles Reznikoff and the Holocaust\u201d<\/p>\n\n\n\n<p>Janet Sutherland, \u201cReznikoff and His Sources\u201d<\/p>\n\n\n\n<p>Milton Hindus, \u201cEpic, \u2018Action-Poem,\u2019 Cartoon: Charles Reznikoff\u2019s&nbsp;<em>Testimony: The United States: 1885-1915<\/em>\u201d<\/p>\n\n\n\n<p><strong>The Prose Writer<\/strong><\/p>\n\n\n\n<p>Eric Homberger, \u201cCharles Reznikoff\u2019s&nbsp;<em>Family Chronicle<\/em>: Saying Thank You and I\u2019m Sorry\u201d<\/p>\n\n\n\n<p>Alan Lelchuk, \u201cAgainst the Grain: Reznikoff\u2019s&nbsp;<em>The Manner Music<\/em>\u201d<\/p>\n\n\n\n<p><strong>The Testament<\/strong><\/p>\n\n\n\n<p>Lionel Trilling, \u201cGenuine Writing\u201d<\/p>\n\n\n\n<p>Louis Zukofsky, \u201cProgram: \u2018Objectivists\u2019 1931\u201d<\/p>\n\n\n\n<p>Milton Hindus, \u201c\u2018\u2026And Ask for a Poem&#8217;\u201d<\/p>\n\n\n\n<p>Hayden Carruth, \u201cThe Tide Comes In\u201d<\/p>\n\n\n\n<p>Charles Reznikoff, \u201cEntries for&nbsp;<em>Encyclopaedia Judaica<\/em>\u201d<\/p>\n\n\n\n<p>Linda Simon, \u201cAn Annotated Bibliography of Works About Charles Reznikoff: 1920-1983\u201d<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>\u201cIf this collection fails to put Reznikoff more firmly on the scene, then I do not know what will.\u201d \u2014 Year\u2019s Work in English Studies \u201cAnother solid entry in the Man and Poet Series.\u201d \u2014 Modem Literature Contributions by Marie Syrkin, David Ignatow, Eliot Weinberger, Mary Oppen, Harvey Shapiro, Allen Ginsberg, Paul Auster, Michael Heller, [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-372","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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