{"id":349,"date":"2023-02-09T11:13:11","date_gmt":"2023-02-09T16:13:11","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=349"},"modified":"2024-10-08T11:11:43","modified_gmt":"2024-10-08T15:11:43","slug":"william-carlos-williams-man-and-poet","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/william-carlos-williams-man-and-poet\/","title":{"rendered":"William Carlos Williams : Man and Poet"},"content":{"rendered":"<style>.kb-row-layout-id349_601da7-c4 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id349_601da7-c4 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id349_601da7-c4 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id349_601da7-c4 > 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.kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column349_333698-c9 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column349_333698-c9{position:relative;}@media all and (max-width: 1024px){.kadence-column349_333698-c9 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column349_333698-c9 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column349_333698-c9\"><div class=\"kt-inside-inner-col\"><style>.kb-image349_eff10e-4f .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image349_eff10e-4f size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"677\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/williams1983.jpg\" alt=\"Thumbnail of cover for William Carlos Williams : Man and Poet\" class=\"kb-img wp-image-229\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/williams1983.jpg 677w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/williams1983-198x300.jpg 198w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/williams1983-93x140.jpg 93w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/williams1983-317x479.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/williams1983-423x640.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/williams1983-634x959.jpg 634w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,677px\" \/><figcaption>William Carlos Williams : Man and Poet (1983)<\/figcaption><\/figure>\n\n\n<style>.wp-block-kadence-advancedbtn.kt-btns349_c23d70-81, .site .entry-content .wp-block-kadence-advancedbtn.kt-btns349_c23d70-81, .wp-block-kadence-advancedbtn.kb-btns349_c23d70-81, .site 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#003263;padding-top:7px;padding-right:25px;padding-bottom:7px;padding-left:25px;margin-top:40px;margin-bottom:40px;}.wp-block-kadence-advancedbtn .kb-btn349_b3d6b0-a6.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn349_b3d6b0-a6.kb-button:focus{color:#ffffff;background:#003263;border-top-color:#003263;border-top-style:solid;border-right-color:#003263;border-right-style:solid;border-bottom-color:#003263;border-bottom-style:solid;border-left-color:#003263;border-left-style:solid;}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn .kb-btn349_b3d6b0-a6.kb-button{border-top:3px solid #003263;border-right:3px solid #003263;border-bottom:3px solid #003263;border-left:3px solid #003263;}}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn .kb-btn349_b3d6b0-a6.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn349_b3d6b0-a6.kb-button:focus{border-top-color:#003263;border-top-style:solid;border-right-color:#003263;border-right-style:solid;border-bottom-color:#003263;border-bottom-style:solid;border-left-color:#003263;border-left-style:solid;}}@media all and (max-width: 767px){.wp-block-kadence-advancedbtn .kb-btn349_b3d6b0-a6.kb-button{border-top:3px solid #003263;border-right:3px solid #003263;border-bottom:3px solid #003263;border-left:3px solid #003263;}.wp-block-kadence-advancedbtn .kb-btn349_b3d6b0-a6.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn349_b3d6b0-a6.kb-button:focus{border-top-color:#003263;border-top-style:solid;border-right-color:#003263;border-right-style:solid;border-bottom-color:#003263;border-bottom-style:solid;border-left-color:#003263;border-left-style:solid;}}<\/style><a class=\"kb-button kt-button button kb-btn349_b3d6b0-a6 kt-btn-size-standard kt-btn-width-type-fixed kb-btn-global-outline  kt-btn-has-text-true kt-btn-has-svg-false  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(max-width: 767px){.kadence-column349_2b79fc-12 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column349_2b79fc-12\"><div class=\"kt-inside-inner-col\">\n<p>\u201cOne of the best book bargains to come along in quite a while,&nbsp;<em>Williams<\/em> is a mine loaded with precious ore. . . . A wonderful celebration. \u201d<\/p>\n\n\n\n<p><em>\u2014American Poetry<\/em><\/p>\n\n\n\n<p>\u201cThis volume is both finely commemorative and purposively analytical.\u201d<\/p>\n\n\n\n<p><em>\u2014Year\u2019s Work in English Studies<\/em><\/p>\n\n\n\n<p>Contributions by Alien Ginsberg, Robert Creeley, Hayden Carruth, Denise Levertov, Cid Corman, Philip Booth, William Eric Williams, Roy Miki, Marjorie Perloff, Hugh Witemeyer, Ron Loewinsohn, Gilbert Sorrentino, Neil Baldwin, Norman Finkelstein, Jonathan Mayhew, Marilyn Kallet, Rod Townley, Kerry Driscoll, and others. Annotated bibliography of works about Williams, 1974-1982.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Contents<\/h3>\n\n\n\n<p><strong>Dova Sta Memora<\/strong><\/p>\n\n\n\n<p>Allen Ginsberg, \u201cWilliams in a World of Objects\u201d<\/p>\n\n\n\n<p>Robert Creeley, \u201cA Visit to an Idol\u201d<\/p>\n\n\n\n<p>Philip Booth, \u201cWilliam Carlos Williams \u2013 An Open Thanksgiving\u201d<\/p>\n\n\n\n<p>Hayden Carruth, \u201cThe Agony of Dr. Paterson\u201d<\/p>\n\n\n\n<p>Ralph Gustafson, \u201cMeeting the Great Man\u201d<\/p>\n\n\n\n<p><strong>The Man<\/strong><\/p>\n\n\n\n<p>William Eric Williams, \u201cLife with Father\u201d<\/p>\n\n\n\n<p>Mary Barnard, \u201cWilliam Carlos Williams and the Poetry Archive at Buffalo\u201d<\/p>\n\n\n\n<p>Edith Heal Berrien, \u201cMemory is a Sort of Renewal\u201d<\/p>\n\n\n\n<p>John G. Dollar, \u201cWilliam Carlos Williams and the Polytopic Club\u201d<\/p>\n\n\n\n<p>Roberta Chester, \u201cOn Thinking About an Interview with William Carlos Williams on the Subject of the Aesthetic Philosophy in the Poetry of Wallace Stevens\u201d<\/p>\n\n\n\n<p>Roy Miki, \u201cDriving and Writing\u201d<\/p>\n\n\n\n<p>Richard C. Zbornik, \u201cOn Stealing&nbsp;<em>Paterson<\/em>&nbsp;I and Other Poems for William Carlos Williams\u201d<\/p>\n\n\n\n<p><strong>The Poet I<\/strong><\/p>\n\n\n\n<p>Ezra Pound, \u201cThe Tempers\u201d<\/p>\n\n\n\n<p>Denise Levertov, \u201cThe Ideas in the Things\u201d<\/p>\n\n\n\n<p>Cid Corman, \u201cSpring &amp; All\u201d<\/p>\n\n\n\n<p>Marjorie Perloff, \u201c\u2018To Give a Design\u2019: Williams and the Visualization of Poetry\u201d<\/p>\n\n\n\n<p>Diana Collecott Surman, \u201cTowards the Crystal: Art and Science in Williams\u2019s Poetic\u201d<\/p>\n\n\n\n<p>Hugh Witemyer and E. P. Walkiewicz, \u201cDesert Music: Carlos Williams in the Great Southwest\u201d<\/p>\n\n\n\n<p>Norman M. Finkelstein, \u201cBeauty, Truth and&nbsp;<em>The Wanderer<\/em>\u201d<\/p>\n\n\n\n<p><strong>The Poet II<\/strong><\/p>\n\n\n\n<p>Robert G. Basil, \u201cImagination and Despair in Williams\u201d<\/p>\n\n\n\n<p>Christopher Collins, \u201cThe Moving Eye in Williams\u2019s Earlier Poetry\u201d<\/p>\n\n\n\n<p>Jonathan Mayhew, \u201cWilliam Carlos Williams and the Free Verse Line\u201d<\/p>\n\n\n\n<p>Anne Janowitz, \u201c<em>Paterson<\/em>: An American Contraption\u201d<\/p>\n\n\n\n<p>Marilyn Kallet, \u201c\u2018Conversation as Design\u2019 in \u2018Asphodel, That Greeny Flower\u2019\u201d<\/p>\n\n\n\n<p>Rod Townley, \u201cBidding for Fame at 50: Williams\u2019s&nbsp;<em>Collected Poems 1921-1931<\/em>\u201d<\/p>\n\n\n\n<p><strong>The Prose Writer<\/strong><\/p>\n\n\n\n<p>Ezra Pound, \u201cDr Williams\u2019s Position\u201d<\/p>\n\n\n\n<p>Ron Loewinsohn, \u201cThe Sourness of&nbsp;<em>Sour Grapes<\/em>: Williams and the Religion of Art\u201d<\/p>\n\n\n\n<p>Gilbert Sorrentino, \u201cPolish Mothers and \u2018The Knife of the Times\u2019\u201d<\/p>\n\n\n\n<p>Kerry Driscoll, \u201cThe Mythos of Mother or&nbsp;<em>Yes, Mrs. Williams<\/em>\u201d<\/p>\n\n\n\n<p>Neil Baldwin, \u201cThe Stecher Trilogy: Williams as Novelist\u201d<\/p>\n\n\n\n<p>Bruce Comens, \u201cWilliams, Botticelli, and the Renaissance\u201d<\/p>\n\n\n\n<p>Thomas Schaub, \u201cWilliams, Sorrentino, and the Art of the Actual\u201d<\/p>\n\n\n\n<p><strong>The Testament<\/strong><\/p>\n\n\n\n<p>Joseph Brogunier, \u201cAn Annotated Bibliography of Works About William Carlos Williams: 1974-1982\u201d<\/p>\n\n\n\n<p>Stephen Boardway, \u201cIndex of People, Books and Things\u201d<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>\u201cOne of the best book bargains to come along in quite a while,&nbsp;Williams is a mine loaded with precious ore. . . . A wonderful celebration. \u201d \u2014American Poetry \u201cThis volume is both finely commemorative and purposively analytical.\u201d \u2014Year\u2019s Work in English Studies Contributions by Alien Ginsberg, Robert Creeley, Hayden Carruth, Denise Levertov, Cid Corman, [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-349","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>William Carlos Williams : Man and Poet - The Center for Poetry and Poetics - University of Maine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/poetry\/william-carlos-williams-man-and-poet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"William Carlos Williams : Man and Poet - The Center for Poetry and Poetics - University of Maine\" \/>\n<meta property=\"og:description\" content=\"\u201cOne of the best book bargains to come along in quite a while,&nbsp;Williams is a mine loaded with precious ore. . . . 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