{"id":325,"date":"2023-02-09T10:48:04","date_gmt":"2023-02-09T15:48:04","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=325"},"modified":"2024-10-08T11:05:59","modified_gmt":"2024-10-08T15:05:59","slug":"hugh-macdiarmid-man-and-poet","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/hugh-macdiarmid-man-and-poet\/","title":{"rendered":"Hugh MacDiarmid : Man and Poet"},"content":{"rendered":"<style>.kb-row-layout-id325_919275-ad > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id325_919275-ad > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id325_919275-ad > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id325_919275-ad > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id325_919275-ad > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id325_919275-ad > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id325_919275-ad alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column325_1335ed-a0 > .kt-inside-inner-col,.kadence-column325_1335ed-a0 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column325_1335ed-a0 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column325_1335ed-a0 > .kt-inside-inner-col{flex-direction:column;}.kadence-column325_1335ed-a0 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column325_1335ed-a0 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column325_1335ed-a0{position:relative;}@media all and (max-width: 1024px){.kadence-column325_1335ed-a0 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column325_1335ed-a0 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column325_1335ed-a0\"><div class=\"kt-inside-inner-col\"><style>.kb-image325_4ed5eb-82 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image325_4ed5eb-82 size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"663\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/macdiarmid1992.jpg\" alt=\"Thumbnail of cover for Hugh MacDiarmid : Man and Poet\" class=\"kb-img wp-image-222\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/macdiarmid1992.jpg 663w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/macdiarmid1992-194x300.jpg 194w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/macdiarmid1992-91x140.jpg 91w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/macdiarmid1992-317x490.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/macdiarmid1992-423x653.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/macdiarmid1992-634x979.jpg 634w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,663px\" \/><figcaption>Hugh MacDiarmid : Man and Poet (1992)<\/figcaption><\/figure>\n\n\n<style>.wp-block-kadence-advancedbtn.kt-btns325_c9d5f5-af, .site .entry-content .wp-block-kadence-advancedbtn.kt-btns325_c9d5f5-af, .wp-block-kadence-advancedbtn.kb-btns325_c9d5f5-af, 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#003263;padding-top:7px;padding-right:25px;padding-bottom:7px;padding-left:25px;margin-top:40px;margin-bottom:40px;}.wp-block-kadence-advancedbtn .kb-btn325_54c2bc-14.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn325_54c2bc-14.kb-button:focus{color:#ffffff;background:#003263;border-top-color:#003263;border-top-style:solid;border-right-color:#003263;border-right-style:solid;border-bottom-color:#003263;border-bottom-style:solid;border-left-color:#003263;border-left-style:solid;}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn .kb-btn325_54c2bc-14.kb-button{border-top:3px solid #003263;border-right:3px solid #003263;border-bottom:3px solid #003263;border-left:3px solid #003263;}}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn .kb-btn325_54c2bc-14.kb-button:hover, .wp-block-kadence-advancedbtn 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(max-width: 767px){.kadence-column325_d6b93e-ec > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column325_d6b93e-ec\"><div class=\"kt-inside-inner-col\">\n<p>For Scotland, Hugh MacDiarmid defined an era. Outside of Scotland, critical theory has only recently developed in ways that can address the full range of his work and the complexities of his cultural position and analysis.&nbsp;<em>Hugh MacDiarmid: Man and Poet<\/em>&nbsp;reexamines these questions at the centennial mark, bringing together for the first time scholars, poets, and writers from Scotland, Ireland, England, and the United States.<\/p>\n\n\n\n<p>The 333-page volume is divided into five sections: \u201cGrieve and MacDiarmid: Portrait(s) of a Poet,\u201d \u201cIn Memoriam Hugh MacDiarmid,\u201d \u201c \u2018The Company I\u2019ve Kept\u2019: Contexts and Intertexts,\u201d \u201c \u2018Whaur Extremes Meet\u2019: The Work,\u201d and \u201cBibliography,\u201d an annotated bibliography of works by and about Hugh MacDiarmid, compiled by W. R. Aitken.<\/p>\n\n\n\n<p>Examining MacDiarmid\u2019s poetry, politics, and linguistic experimentation, this collection includes not only essays on the multiple facets of his work, but a wide range of theoretical perspectives. It thus helps to place MacDiarmid in twentieth century critical views and to define his position on the crux of modernism and post-modernism.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Contents<\/h3>\n\n\n\n<p><strong>Grieve and MacDiarmid: Portrait(s) of a Poet<\/strong><\/p>\n\n\n\n<p>Deidre Chapman, \u201cA Memoir\u201d<\/p>\n\n\n\n<p>Morag Enticknap, \u201cA Memoir\u201d<\/p>\n\n\n\n<p>Naomi Mitchison, \u201cMacDiarmid and the Scottish Renaissance\u201d<\/p>\n\n\n\n<p><strong>In Memoriam Hugh MacDiarmid<\/strong><\/p>\n\n\n\n<p>Nancy Gish, \u201cInterview with Norman MacCaig, November 12, 1979\u201d<\/p>\n\n\n\n<p>Nancy Gish, \u201cInterview with John Montague 1980\u201d<\/p>\n\n\n\n<p>Nancy Gish, \u201cInterview with Seamus Heaney 1980\u201d<\/p>\n\n\n\n<p>Donald Davie, \u201cIn a Year of the Olympics\u201d<\/p>\n\n\n\n<p><strong>\u201cThe Company I\u2019ve Kept\u201d: Contexts and Intertexts<\/strong><\/p>\n\n\n\n<p>Alan Bold, \u201cMacDiarmid and the Cairncross Connection\u201d<\/p>\n\n\n\n<p>Raymond Ross, \u201c\u2018Oneness of Concept\u2019: MacDiarmid and Empirio-Criticism\u201d<\/p>\n\n\n\n<p>Peter McCarey, \u201cLev Shestov and Hugh MacDiarmid\u201d<\/p>\n\n\n\n<p>Alan Riach, \u201cHugh MacDiarmid and Charles Olson\u201d<\/p>\n\n\n\n<p><strong>\u201cWhaur Extremes Meet\u201d: The Work<\/strong><\/p>\n\n\n\n<p>Kenneth Buthlay, \u201cAdventuring in Dictionaries\u201d<\/p>\n\n\n\n<p>Harvey Oxenhorn, \u201cFrom&nbsp;<em>Sangschaw&nbsp;<\/em>to \u2018Harry Semen\u2019: The Poet\u2019s Language and the Poet\u2019s Voice\u201d<\/p>\n\n\n\n<p>Rena Grant, \u201cSynthetic Scots: Hugh MacDiarmid\u2019s Imagined Community\u201d<\/p>\n\n\n\n<p>Nancy Gish, \u201cMacDiarmid Reading&nbsp;<em>The Waste Land<\/em>: The Politics of Quotation\u201d<\/p>\n\n\n\n<p>Roderick Watson, \u201cLandscapes of Mind and Word: MacDiarmid\u2019s Journey to the Raised Beach and Beyond\u201d<\/p>\n\n\n\n<p>Carl Freedman, \u201cBeyond the Dialect of the Tribe: James Joyce, Hugh MacDiarmid, and World Language\u201d<\/p>\n\n\n\n<p>Stephen P. Smith, \u201cHugh MacDiarmid\u2019s&nbsp;<em>Lucky Poet<\/em>: Autobiography and the Art of Attack\u201d<\/p>\n\n\n\n<p><strong>Bibliography<\/strong><\/p>\n\n\n\n<p>W.R. Aitken, \u201cA Bibliography of Hugh MacDiarmid\u201d<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>For Scotland, Hugh MacDiarmid defined an era. Outside of Scotland, critical theory has only recently developed in ways that can address the full range of his work and the complexities of his cultural position and analysis.&nbsp;Hugh MacDiarmid: Man and Poet&nbsp;reexamines these questions at the centennial mark, bringing together for the first time scholars, poets, and [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-325","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hugh MacDiarmid : Man and Poet - The Center for Poetry and Poetics - University of Maine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/poetry\/hugh-macdiarmid-man-and-poet\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hugh MacDiarmid : Man and Poet - The Center for Poetry and Poetics - University of Maine\" \/>\n<meta property=\"og:description\" content=\"For Scotland, Hugh MacDiarmid defined an era. 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