{"id":1177,"date":"2023-04-13T15:19:17","date_gmt":"2023-04-13T19:19:17","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=1177"},"modified":"2024-10-09T12:22:20","modified_gmt":"2024-10-09T16:22:20","slug":"volume-6-2","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-6-2\/","title":{"rendered":"Paideuma 6.2"},"content":{"rendered":"<style>.kb-row-layout-id1177_bcd494-81 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1177_bcd494-81 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1177_bcd494-81 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id1177_bcd494-81 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1177_bcd494-81 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id1177_bcd494-81 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1177_bcd494-81 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1177_54b9cf-09 > .kt-inside-inner-col,.kadence-column1177_54b9cf-09 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1177_54b9cf-09 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1177_54b9cf-09 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1177_54b9cf-09 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1177_54b9cf-09 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1177_54b9cf-09{position:relative;}@media all and (max-width: 1024px){.kadence-column1177_54b9cf-09 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1177_54b9cf-09 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1177_54b9cf-09\"><div class=\"kt-inside-inner-col\"><style>.kb-image1177_9ce052-8b .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image1177_9ce052-8b size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"681\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-6-2-681x1024.jpg\" alt=\"Thumbnail for cover of Paideuma volume 6.2\" class=\"kb-img wp-image-398\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-6-2-681x1024.jpg 681w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-6-2-200x300.jpg 200w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-6-2-768x1154.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-6-2-93x140.jpg 93w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-6-2-317x476.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-6-2-423x636.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-6-2-634x953.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-6-2-846x1271.jpg 846w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-6-2.jpg 883w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,681px\" \/><figcaption>Volume 6.2 \/ 1977<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column1177_937b6c-8f > .kt-inside-inner-col,.kadence-column1177_937b6c-8f > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1177_937b6c-8f > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1177_937b6c-8f > .kt-inside-inner-col{flex-direction:column;}.kadence-column1177_937b6c-8f > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1177_937b6c-8f > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1177_937b6c-8f{position:relative;}@media all and (max-width: 1024px){.kadence-column1177_937b6c-8f > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1177_937b6c-8f > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1177_937b6c-8f\"><div class=\"kt-inside-inner-col\">\n<p><strong>The Periplum<\/strong><\/p>\n\n\n\n<p>Sanehide Kodama, \u201cThe Eight Scenes of Sho-Sho\u201d<\/p>\n\n\n\n<p>William McNaughton, \u201cA Note on Main Form in&nbsp;<em>The Cantos<\/em>\u201c<\/p>\n\n\n\n<p><strong>The Explicator<\/strong><\/p>\n\n\n\n<p>Wendy Stallard Flory, \u201cPound\u2019s Blake and Blake\u2019s Dante\u201d<\/p>\n\n\n\n<p>B. K. Martin, \u201cEzra Pound and T. E. Lawrence\u201d<\/p>\n\n\n\n<p>Timothy Materer, \u201cPound\u2019s Vortex\u201d<\/p>\n\n\n\n<p>Robert Hunting, \u201cA Woodnote Wild\u201d<\/p>\n\n\n\n<p>Reno Odlin, \u201cKati and Antef\u201d<\/p>\n\n\n\n<p><strong>The Documentary<\/strong><\/p>\n\n\n\n<p>Carroll F. Terrell, \u201cCanto XXXIV: The Technique of Montage\u201d<\/p>\n\n\n\n<p><strong>The Biographer<\/strong><\/p>\n\n\n\n<p>Felice Chilanti, \u201cEzra Pound Among the Seditious in the 1940s, translated by David Anderson\u201d<\/p>\n\n\n\n<p><strong>The Reviewer<\/strong><\/p>\n\n\n\n<p>David M. Gordon (James J. Wilhelm,&nbsp;<em>The Later Cantos of Ezra Pound<\/em>)<\/p>\n\n\n\n<p>\u2022<\/p>\n\n\n\n<p>The cover is from&nbsp;<em>Praeludium et Fuga<\/em><em>in h<\/em>&nbsp;by Johann Sebastian Bach.<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The Periplum Sanehide Kodama, \u201cThe Eight Scenes of Sho-Sho\u201d William McNaughton, \u201cA Note on Main Form in&nbsp;The Cantos\u201c The Explicator Wendy Stallard Flory, \u201cPound\u2019s Blake and Blake\u2019s Dante\u201d B. K. Martin, \u201cEzra Pound and T. E. Lawrence\u201d Timothy Materer, \u201cPound\u2019s Vortex\u201d Robert Hunting, \u201cA Woodnote Wild\u201d Reno Odlin, \u201cKati and Antef\u201d The Documentary Carroll F. [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1177","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Paideuma 6.2 - The Center for Poetry and Poetics - University of Maine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/poetry\/volume-6-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paideuma 6.2 - The Center for Poetry and Poetics - University of Maine\" \/>\n<meta property=\"og:description\" content=\"The Periplum Sanehide Kodama, \u201cThe Eight Scenes of Sho-Sho\u201d William McNaughton, \u201cA Note on Main Form in&nbsp;The Cantos\u201c The Explicator Wendy Stallard Flory, \u201cPound\u2019s Blake and Blake\u2019s Dante\u201d B. 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