{"id":1097,"date":"2023-04-11T17:51:45","date_gmt":"2023-04-11T21:51:45","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=1097"},"modified":"2024-10-09T11:24:31","modified_gmt":"2024-10-09T15:24:31","slug":"volume-11-2","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-11-2\/","title":{"rendered":"Paideuma 11.2"},"content":{"rendered":"<style>.kb-row-layout-id1097_aaf646-08 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1097_aaf646-08 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1097_aaf646-08 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id1097_aaf646-08 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1097_aaf646-08 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id1097_aaf646-08 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1097_aaf646-08 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1097_6cbadc-5b > .kt-inside-inner-col,.kadence-column1097_6cbadc-5b > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1097_6cbadc-5b > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1097_6cbadc-5b > .kt-inside-inner-col{flex-direction:column;}.kadence-column1097_6cbadc-5b > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1097_6cbadc-5b > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1097_6cbadc-5b{position:relative;}@media all and (max-width: 1024px){.kadence-column1097_6cbadc-5b > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1097_6cbadc-5b > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1097_6cbadc-5b\"><div class=\"kt-inside-inner-col\"><style>.kb-image1097_492344-e6 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image1097_492344-e6 size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"679\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-11-2-679x1024.jpg\" alt=\"Thumbnail of cover for Paideuma volume 11.2\" class=\"kb-img wp-image-412\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-11-2-679x1024.jpg 679w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-11-2-199x300.jpg 199w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-11-2-768x1158.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-11-2-93x140.jpg 93w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-11-2-317x478.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-11-2-423x638.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-11-2-634x956.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-11-2-846x1275.jpg 846w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-11-2.jpg 887w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,679px\" \/><figcaption>Volume 11.2 \/ 1982<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column1097_b71ad3-ae > .kt-inside-inner-col,.kadence-column1097_b71ad3-ae > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1097_b71ad3-ae > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1097_b71ad3-ae > .kt-inside-inner-col{flex-direction:column;}.kadence-column1097_b71ad3-ae > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1097_b71ad3-ae > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1097_b71ad3-ae{position:relative;}@media all and (max-width: 1024px){.kadence-column1097_b71ad3-ae > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1097_b71ad3-ae > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1097_b71ad3-ae\"><div class=\"kt-inside-inner-col\">\n<p><strong>The Periplum<\/strong><\/p>\n\n\n\n<p>Sanehide Kodama, \u201cCathay and Fenollosa\u2019s Notebooks\u201d<\/p>\n\n\n\n<p>Timothy Materer, \u201cDoppelg\u00e4nger: Ezra Pound in His Letters\u201d<\/p>\n\n\n\n<p>Kevin Oderman, \u201c\u2018Cavalcanti\u2019: That the Body Is Not Evil\u201d<\/p>\n\n\n\n<p><strong>The Explicator<\/strong><\/p>\n\n\n\n<p>Ben D. Kimpel and T. C. Duncan Eaves, \u201cHow the Medici Went Bust\u201d<\/p>\n\n\n\n<p>Reno Odlin, \u201cDinklage\u201d<\/p>\n\n\n\n<p>Francis J. Bosha, \u201cPound\u2019s References to Borah and Stalin in Canto 84\u201d<\/p>\n\n\n\n<p>Mohammad Y. Shaheen, \u201cA Note on the Spelling of \u2018Habdimlich\u2019 for \u2018Abd Al-Malik in&nbsp;<em>The Cantos<\/em>\u201c<\/p>\n\n\n\n<p><strong>The Documentary<\/strong><\/p>\n\n\n\n<p>Lee Bartlett and Hugh Witemeyer, \u201cEzra Pound and James Dickey: A Correspondence and a Kinship\u201d<\/p>\n\n\n\n<p>David Gordon, \u201c<em>Corpus Juris<\/em>&nbsp;and Canto XCIV\u201d<\/p>\n\n\n\n<p><strong>The Vortex<\/strong><\/p>\n\n\n\n<p>Brendan Jackson, \u201cA Reluctant American: Ezra Pound\u2019s Response to Whitman, Whistler and Henry James\u201d<\/p>\n\n\n\n<p>Margot Speight, \u201cDorothy Pound at Work\u201d<\/p>\n\n\n\n<p><strong>The Reviewer<\/strong><\/p>\n\n\n\n<p>Michael King (H.D.,&nbsp;<em>HERmione<\/em>)<\/p>\n\n\n\n<p>Martin A. Kayman (Ian F. A. Bell,&nbsp;<em>Critic as Scientist: The Modernist Poetics of Ezra Pound<\/em>)<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The Periplum Sanehide Kodama, \u201cCathay and Fenollosa\u2019s Notebooks\u201d Timothy Materer, \u201cDoppelg\u00e4nger: Ezra Pound in His Letters\u201d Kevin Oderman, \u201c\u2018Cavalcanti\u2019: That the Body Is Not Evil\u201d The Explicator Ben D. Kimpel and T. C. Duncan Eaves, \u201cHow the Medici Went Bust\u201d Reno Odlin, \u201cDinklage\u201d Francis J. Bosha, \u201cPound\u2019s References to Borah and Stalin in Canto 84\u201d [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1097","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Paideuma 11.2 - The Center for Poetry and Poetics - University of Maine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/poetry\/volume-11-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paideuma 11.2 - The Center for Poetry and Poetics - University of Maine\" \/>\n<meta property=\"og:description\" content=\"The Periplum Sanehide Kodama, \u201cCathay and Fenollosa\u2019s Notebooks\u201d Timothy Materer, \u201cDoppelg\u00e4nger: Ezra Pound in His Letters\u201d Kevin Oderman, \u201c\u2018Cavalcanti\u2019: That the Body Is Not Evil\u201d The Explicator Ben D. Kimpel and T. C. Duncan Eaves, \u201cHow the Medici Went Bust\u201d Reno Odlin, \u201cDinklage\u201d Francis J. 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