{"id":1076,"date":"2023-04-11T17:41:11","date_gmt":"2023-04-11T21:41:11","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=1076"},"modified":"2024-10-08T16:10:03","modified_gmt":"2024-10-08T20:10:03","slug":"volume-15-2-3","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-15-2-3\/","title":{"rendered":"Paideuma 15.2-3"},"content":{"rendered":"<style>.kb-row-layout-id1076_1774e7-73 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1076_1774e7-73 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1076_1774e7-73 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id1076_1774e7-73 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1076_1774e7-73 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id1076_1774e7-73 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1076_1774e7-73 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1076_601988-3e > .kt-inside-inner-col,.kadence-column1076_601988-3e > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1076_601988-3e > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1076_601988-3e > .kt-inside-inner-col{flex-direction:column;}.kadence-column1076_601988-3e > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1076_601988-3e > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1076_601988-3e{position:relative;}@media all and (max-width: 1024px){.kadence-column1076_601988-3e > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1076_601988-3e > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1076_601988-3e\"><div class=\"kt-inside-inner-col\"><style>.kb-image1076_6cd574-4b .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image1076_6cd574-4b size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"508\" height=\"724\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-15-2-3.png\" alt=\"Thumbnail of cover for Paideuma volume 15.2-3\" class=\"kb-img wp-image-422\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-15-2-3.png 508w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-15-2-3-210x300.png 210w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-15-2-3-98x140.png 98w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-15-2-3-317x452.png 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-15-2-3-423x603.png 423w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,508px\" \/><figcaption>Volume 15.2-3 \/ 1986<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column1076_29589d-2c > .kt-inside-inner-col,.kadence-column1076_29589d-2c > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1076_29589d-2c > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1076_29589d-2c > .kt-inside-inner-col{flex-direction:column;}.kadence-column1076_29589d-2c > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1076_29589d-2c > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1076_29589d-2c{position:relative;}@media all and (max-width: 1024px){.kadence-column1076_29589d-2c > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1076_29589d-2c > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1076_29589d-2c\"><div class=\"kt-inside-inner-col\">\n<p><strong>The Periplum<\/strong><\/p>\n\n\n\n<p>Kathryne V. Lindberg, \u201cTradition and Heresy: Pound\u2019s Dissociation from Eliot\u201d<\/p>\n\n\n\n<p>Martin A. Kayman, \u201cEzra Pound: The Color of His Money\u201d<\/p>\n\n\n\n<p>Ian F. A. Bell, \u201cA Mere Surface: Wyndham Lewis, Henry James and the \u2018Latitude\u2019 of&nbsp;<em>Hugh Selwyn Mauberley<\/em>\u201c<\/p>\n\n\n\n<p>John J. Nolde, \u201cEzra Pound and the Ta Hio: The Making of a Confucian\u201d<\/p>\n\n\n\n<p>Mohammad Shaheen, \u201cPound and Arabic\u201d<\/p>\n\n\n\n<p>M. L. Rosenthal, \u201cDiscovering E. P.\u201d<\/p>\n\n\n\n<p><strong>The Explicator<\/strong><\/p>\n\n\n\n<p>Donald Gallup, \u201cEzra Pound\u2019s \u201cAn Opening for&nbsp;<em>Agamemnon<\/em>\u201c<\/p>\n\n\n\n<p>Walter Baumann, \u201c\u2018Birds, Said Hudson, Are Not Automata&#8217;\u201d<\/p>\n\n\n\n<p>G. Schmidt, \u201cThe Ezra Pound Stone at Medinaceli\u201d<\/p>\n\n\n\n<p>Colin McDowell, \u201cLook before Seeing\u201d<\/p>\n\n\n\n<p>Stephen J. Adams, \u201cApovitch in Canto XII\u201d<\/p>\n\n\n\n<p>Jeff Twitchell, \u201cA Church Note\u201d<\/p>\n\n\n\n<p>Eliot Weinberger, \u201cA Note on the&nbsp;<em>Cathay<\/em>&nbsp;Ideogram\u201d<\/p>\n\n\n\n<p>John Leigh, \u201c\u2018An Odd Sort of Post-Graduate Course\u2019: Ezra Pound\u2019s First Course in Modern Poetry Discovered\u201d<\/p>\n\n\n\n<p>David M. Gordon, \u201cBlum\u2019s Bidet Revisited, or The Final Solution\u201d<\/p>\n\n\n\n<p><strong>The Biographer<\/strong><\/p>\n\n\n\n<p>Sheri Martinelli, \u201cA Memoir\u201d<\/p>\n\n\n\n<p>Kathleen Flanagan, \u201cEzra Pound and Amy Lowell: English Poetics in Renditions of Chinese Poetry\u201d<\/p>\n\n\n\n<p>Celeste Goodridge, \u201c\u2018Firm Piloting of Rebellious Fluency\u2019: Marianne Moore\u2019s Reviews of&nbsp;<em>The Cantos<\/em>&nbsp;of Ezra Pound\u201d<\/p>\n\n\n\n<p>Hugh Witemeyer, \u201cThe Strange Progress of David Hsin-Fu Wand\u201d<\/p>\n\n\n\n<p><strong>The Documentary<\/strong><\/p>\n\n\n\n<p>Tim Redman, \u201cPound\u2019s Library: A Preliminary Catalog\u201d<\/p>\n\n\n\n<p>Omar Pound, \u201cAddenda for&nbsp;<em>Ezra Pound and Dorothy Shakespear: Their Letters, 1909-1914<\/em>\u201c<\/p>\n\n\n\n<p><strong>The Vortex<\/strong><\/p>\n\n\n\n<p>Marianne Korn, \u201cE. P.: The Dance of Words\u201d<\/p>\n\n\n\n<p>Robert Lumsden, \u201cEzra Pound\u2019s Imagism\u201d<\/p>\n\n\n\n<p>Francis McKee, \u201cCommentary on the&nbsp;<em>Drafts and Fragments<\/em>\u201c<\/p>\n\n\n\n<p>Lionel Kelly, \u201c<em>Guide to Kulchur<\/em>: The Book as Ball of Light\u201d<\/p>\n\n\n\n<p>Sanehide Kodama, \u201cMary de Rachewiltz in Japan\u201d<\/p>\n\n\n\n<p><em>A Tribute to Duncan Eaves<\/em><\/p>\n\n\n\n<p><strong>The Reviewer<\/strong><\/p>\n\n\n\n<p>Massimo Bacigalupo (Ezra Pound,&nbsp;<em>I Cantos<\/em>, Italian translation and editing by Mary de Rachewiltz)<\/p>\n\n\n\n<p>James J. Wilhelm (<em>The Garland Library of Medieval Literature from a Poundian Perspective<\/em>)<\/p>\n\n\n\n<p>Paul Smith (Philip Furia,&nbsp;<em>Pound\u2019s Cantos Declassified<\/em>)<\/p>\n\n\n\n<p>Leon Surette (Peter Makin,&nbsp;<em>Pound\u2019s Cantos<\/em>)<\/p>\n\n\n\n<p>\u2022<\/p>\n\n\n\n<p>The rare portrait of Pound used for the cover is provided by Quentin Keynes. Text beneath the picture reads: \u201cPortrait of Ezra Pound \/ author of \/ POEMS 1918-20 \/ Including \u2018Three Portraits\u2019 \/ Boni &amp; Liveright $2.00.\u201d<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The Periplum Kathryne V. Lindberg, \u201cTradition and Heresy: Pound\u2019s Dissociation from Eliot\u201d Martin A. Kayman, \u201cEzra Pound: The Color of His Money\u201d Ian F. A. Bell, \u201cA Mere Surface: Wyndham Lewis, Henry James and the \u2018Latitude\u2019 of&nbsp;Hugh Selwyn Mauberley\u201c John J. Nolde, \u201cEzra Pound and the Ta Hio: The Making of a Confucian\u201d Mohammad Shaheen, [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1076","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Paideuma 15.2-3 - The Center for Poetry and Poetics - University of Maine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/poetry\/volume-15-2-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paideuma 15.2-3 - The Center for Poetry and Poetics - University of Maine\" \/>\n<meta property=\"og:description\" content=\"The Periplum Kathryne V. Lindberg, \u201cTradition and Heresy: Pound\u2019s Dissociation from Eliot\u201d Martin A. Kayman, \u201cEzra Pound: The Color of His Money\u201d Ian F. A. Bell, \u201cA Mere Surface: Wyndham Lewis, Henry James and the \u2018Latitude\u2019 of&nbsp;Hugh Selwyn Mauberley\u201c John J. 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