{"id":1010,"date":"2023-04-11T17:15:49","date_gmt":"2023-04-11T21:15:49","guid":{"rendered":"https:\/\/umaine.edu\/poetry\/?page_id=1010"},"modified":"2024-10-08T15:41:06","modified_gmt":"2024-10-08T19:41:06","slug":"volume-26-2-3","status":"publish","type":"page","link":"https:\/\/umaine.edu\/poetry\/volume-26-2-3\/","title":{"rendered":"Paideuma 26.2-3"},"content":{"rendered":"<style>.kb-row-layout-id1010_fb0b01-d6 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id1010_fb0b01-d6 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id1010_fb0b01-d6 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}.kb-row-layout-id1010_fb0b01-d6 > .kt-row-layout-overlay{opacity:0.30;}@media all and (max-width: 1024px){.kb-row-layout-id1010_fb0b01-d6 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr) minmax(0, 2fr);}}@media all and (max-width: 767px){.kb-row-layout-id1010_fb0b01-d6 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div class=\"kb-row-layout-wrap kb-row-layout-id1010_fb0b01-d6 alignnone wp-block-kadence-rowlayout\"><div class=\"kt-row-column-wrap kt-has-2-columns kt-row-layout-right-golden kt-tab-layout-inherit kt-mobile-layout-row kt-row-valign-top\">\n<style>.kadence-column1010_aed167-fd > .kt-inside-inner-col,.kadence-column1010_aed167-fd > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1010_aed167-fd > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1010_aed167-fd > .kt-inside-inner-col{flex-direction:column;}.kadence-column1010_aed167-fd > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1010_aed167-fd > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1010_aed167-fd{position:relative;}@media all and (max-width: 1024px){.kadence-column1010_aed167-fd > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1010_aed167-fd > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1010_aed167-fd\"><div class=\"kt-inside-inner-col\"><style>.kb-image1010_ce3761-2b .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<figure class=\"wp-block-kadence-image kb-image1010_ce3761-2b size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"678\" height=\"1024\" src=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-26-2-3-678x1024.jpg\" alt=\"Thumbnail of cover for Paideuma voluime 26.2-3\" class=\"kb-img wp-image-444\" srcset=\"https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-26-2-3-678x1024.jpg 678w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-26-2-3-199x300.jpg 199w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-26-2-3-768x1160.jpg 768w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-26-2-3-93x140.jpg 93w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-26-2-3-317x479.jpg 317w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-26-2-3-423x639.jpg 423w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-26-2-3-634x958.jpg 634w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-26-2-3-846x1278.jpg 846w, https:\/\/umaine.edu\/poetry\/wp-content\/uploads\/sites\/242\/2023\/02\/pai-26-2-3.jpg 883w\" sizes=\"auto, (max-width: 320px) 85vw, (max-width: 768px) 67vw, (max-width: 1024px) 62vw,678px\" \/><figcaption>Volume 26.2-3 \/ 1997<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n<style>.kadence-column1010_0aff95-26 > .kt-inside-inner-col,.kadence-column1010_0aff95-26 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column1010_0aff95-26 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column1010_0aff95-26 > .kt-inside-inner-col{flex-direction:column;}.kadence-column1010_0aff95-26 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column1010_0aff95-26 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column1010_0aff95-26{position:relative;}@media all and (max-width: 1024px){.kadence-column1010_0aff95-26 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column1010_0aff95-26 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column1010_0aff95-26\"><div class=\"kt-inside-inner-col\">\n<p><strong>Tributes to Carroll F. Terrell<\/strong><\/p>\n\n\n\n<p>Massimo Bacigalupo, \u201cTen for Terry\u201d<\/p>\n\n\n\n<p>Walter Baumann, \u201cAnd Kung Smiled upon All of Them Equally (13\/58)\u201d<\/p>\n\n\n\n<p>Mary de Rachewiltz, \u201cFor Carroll F. Terrell\u201d<\/p>\n\n\n\n<p>Photo Gallery<\/p>\n\n\n\n<p>M. G. N. Dunlap, \u201cOn the Road with C. F. Terrell\u201d<\/p>\n\n\n\n<p>Burton Hatlen, \u201cCarroll Terrell and Great American Poetry Wars\u201d<\/p>\n\n\n\n<p>Richard Hill, \u201cUntitled\u201d<\/p>\n\n\n\n<p>Sanehide Kodama, \u201cProfessor Terrell\u2019s One Summer Day in Maine\u201d<\/p>\n\n\n\n<p>James Laughlin, \u201cUntitled\u201d<\/p>\n\n\n\n<p>Nancy MacKnight, \u201cA Memory of Travels with Terry\u201d<\/p>\n\n\n\n<p>Colin McDowell, \u201cMeeting Terry\u201d<\/p>\n\n\n\n<p>Petr Mike\u0161, \u201cCarroll F. Terrell, a Real Character and a Real Great Mainer\u201d<\/p>\n\n\n\n<p>Marjorie Perloff, \u201cUntitled\u201d<\/p>\n\n\n\n<p>Matt Sweney, \u201cLetters from My Ginmill, Regarding Carroll F. Terrell\u201d<\/p>\n\n\n\n<p>Emily Mitchell Wallace, \u201cA Maine Man of Grace\u201d<\/p>\n\n\n\n<p>James J. Wilhelm, \u201cTribute to Terry\u201d<\/p>\n\n\n\n<p><strong>The Periplum<\/strong><\/p>\n\n\n\n<p>David Peters Corbett, \u201cMake It New: Lawrence Binyon, Pound and Voritcism\u201d<\/p>\n\n\n\n<p>David Grubbs, \u201cPattern History: Ezra Pound and Vorticist Music\u201d<\/p>\n\n\n\n<p>Silvia Bigliazzi, \u201cThe Sound of Silence: Pound, Eliot, and the Image\u201d<\/p>\n\n\n\n<p>Omar Pound, \u201cCanto LXXX: Lacock Abbey and the Charter of 1225\u201d<\/p>\n\n\n\n<p>James Laughlin, \u201cEzra\u201d<\/p>\n\n\n\n<p><strong>Papers from the National Poetry Foundation<br>\u201cAmerican poetry in the 1950s\u201d Conference,<br>Edited by Demetres P. Tryphonopoulos<\/strong><\/p>\n\n\n\n<p>Ellen Keck Stauder, \u201c\u2018Crystal Waves Weaving Together\u2019: Visual Notation and the Phrasal Music of the&nbsp;<em>Rock-Drill Cantos<\/em>\u201c<\/p>\n\n\n\n<p>Brian M. Reed, \u201cEzra Pound\u2019s Utopia of the Eye: The Chinese Characters in&nbsp;<em>Rock-Drill<\/em>\u201c<\/p>\n\n\n\n<p>Michael Golston, \u201cInaudible Rhythms: Form in Ezra Pound\u2019s Cantos of the Fifties\u201d<\/p>\n\n\n\n<p>William Cole, \u201cPound\u2019s Web: Hypertext in the&nbsp;<em>Rock-Drill Cantos<\/em>\u201c<\/p>\n\n\n\n<p>Patricia Cockram, \u201cHypertextuality and Pound\u2019s Fascist Aesthetic\u201d<\/p>\n\n\n\n<p>Miranda B. Hickman, \u201cPamphlets and Blue China (OR \u2018Cheap Books of GOOD Work\u2019): Pound\u2019s Preference for Plainness in the 1950s\u201d<\/p>\n\n\n\n<p><strong>The Reviewer<\/strong><\/p>\n\n\n\n<p>Alec Marsh (<em>\u201cDear Uncle George\u201d: The Correspondence between Ezra Pound and Congressman Tinkham of Massachusetts<\/em>)<\/p>\n\n\n\n<p>Rita Severi (Massimo Bacigalupo, Licia Filingeri, Pietro Gaietto, James Laughlin, Martino Oberto, Ezra Pound, Mary de Rachewiltz,&nbsp;<em>Pietro Gaietto: Conquanta Sculture sui Cantos di Ezra Pound \/ Fifty Sculptues on The Cantos of Ezra Pound<\/em>)<\/p>\n\n\n\n<p>Alec Marsh (Ezra Pound,&nbsp;<em>Machine Art and Other Writings<\/em>)<\/p>\n\n\n\n<p>Christina Bi\u00e9laszka-DuVernay (Evelyn Silber,&nbsp;<em>Gaudier-Brzeska: Life and Art<\/em>)<\/p>\n<\/div><\/div>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Tributes to Carroll F. Terrell Massimo Bacigalupo, \u201cTen for Terry\u201d Walter Baumann, \u201cAnd Kung Smiled upon All of Them Equally (13\/58)\u201d Mary de Rachewiltz, \u201cFor Carroll F. Terrell\u201d Photo Gallery M. G. N. Dunlap, \u201cOn the Road with C. F. Terrell\u201d Burton Hatlen, \u201cCarroll Terrell and Great American Poetry Wars\u201d Richard Hill, \u201cUntitled\u201d Sanehide Kodama, [&hellip;]<\/p>\n","protected":false},"author":2234,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-1010","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Paideuma 26.2-3 - The Center for Poetry and Poetics - University of Maine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/umaine.edu\/poetry\/volume-26-2-3\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paideuma 26.2-3 - The Center for Poetry and Poetics - University of Maine\" \/>\n<meta property=\"og:description\" content=\"Tributes to Carroll F. Terrell Massimo Bacigalupo, \u201cTen for Terry\u201d Walter Baumann, \u201cAnd Kung Smiled upon All of Them Equally (13\/58)\u201d Mary de Rachewiltz, \u201cFor Carroll F. Terrell\u201d Photo Gallery M. G. N. Dunlap, \u201cOn the Road with C. F. 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