WABI (Channel 5) and the Bangor Daily News reported the University of Maine Museum of Art has begun a new 17-year lease with Eastern Maine Development Corporation, maintaining the downtown Bangor location it has occupied in Norumbega Hall for more than a decade. The lease was approved by the University of Maine System Board of Trustees in May, and the Bangor City Council penned a letter of support for the deal. “Our role is to expose the community to new art forms that they may not typically be able to see here in Maine and bring those significant artists in. That’s really an important role of the university and the university land grant mission of service and community engagement, so the downtown location certainly extends the university’s reach,” said George Kinghorn, executive director and curator of the UMaine Museum of Art. WVII (Channel 7) also reported on the museum.
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The Bangor Daily News reported Karen Cole, the current executive vice president of the Bangor Region Chamber of Commerce, will take over as the associate director of the Collins Center for the Arts at the University of Maine. “She brings a lot of experience in marketing and in the arts, and she is deeply connected to the Bangor area and the university,” said Danny Williams, executive director of the CCA. “She’s familiar with the landscape and the Bangor scene, and I think she will help the Collins Center position itself appropriately in the new and ever-shifting landscape.”
A Maine Edge reporter and former University of Maine student wrote the feature, “Saying goodbye to a teacher and friend,” about his memories of Sandra Hardy. Hardy, who was an associate professor of theatre at UMaine, taught acting and literature of the theatre, as well as drama in education during her 26-year career. Hardy passed away June 19 in Connecticut. She was 76. “She was never at a loss for something to say, but at the same time, she was one of the greatest listeners I ever encountered,” the reporter wrote. “She was there to make you better — better as a student, better as an actor and better as a person.”
Maine Magazine named George Kinghorn, director and curator of the University of Maine Museum of Art, one of the “50 Mainers Shaping our State” in the publication’s July feature article. People in the article were described by the magazine as “those who are moving Maine forward through their innovative business practices, commitment to purpose-driven education, lifelong support of the arts, and groundbreaking medical research. Kinghorn spoke about updates to the museum, his desire to make it “more dynamic, warm and accessible,” and its contribution to the growth of arts in the region. “Bangor is experiencing a renaissance,” Kinghorn said.
The Portland Press Herald reported on the “Albers & Heirs” exhibit presented by the University of Maine Department of Art. The exhibit showcases the work of artist, educator and color theorist Josef Albers and two of his students, globally recognized artists Neil Welliver and Jane Davis Doggett. The show runs through July 18 in the Lord Hall Gallery on campus.
The Maine Edge reported on three exhibitions that will be on display at the University of Maine Museum of Art this summer. “Awake: Paintings by Maya Brodsky,” “Looking Back Six Years — Part Two: Selected New Acquisitions,” and “Young Curators: Eight Scoops” will run from June 20 through Sept. 20 at the museum in downtown Bangor.
The Maine Edge published an advance on the “Albers & Heirs” exhibit presented by the University of Maine Department of Art. The exhibit will showcase the work of artist, educator and color theorist Josef Albers and two of his students, globally recognized artists Neil Welliver and Jane Davis Doggett. The show will run June 16 to July 18 in the Lord Hall Gallery on campus. An opening reception and gallery tour will be held 5–7 p.m. Monday, June 16. During the event, exhibit curator Osvaldo Monzon will give a gallery talk, titled “To Make Eyes Open,” and Doggett will speak about her time at Yale where she worked with and was influenced by art faculty members Albers and Welliver.
The University of Maine Department of Art will present the work of artist, educator and color theorist Josef Albers and two of his students, globally recognized artists Neil Welliver and Jane Davis Doggett, in an exhibit that will run June 16 to July 18 in the Lord Hall Gallery on campus.
The “Albers & Heirs” exhibit will offer an in-depth look at the importance of Albers’ contribution as an art educator and the work of his students — Welliver and Doggett — who mastered his discipline of color interaction and made it an essential aspect of their work.
The public is invited to an opening reception and gallery tour 5–7 p.m. Monday, June 16. During the event, exhibit curator Osvaldo Monzon will give a gallery talk, titled “To Make Eyes Open,” and Doggett will speak about her time at Yale where she worked with and was influenced by art faculty members Albers and Welliver.
Welliver, who died in 2005, is known for large-scale paintings of the Maine woods that featured bold colors with an illusion of depth.
Doggett of Corea, Maine, is an internationally acclaimed graphic designer and artist who pioneered the field of environmental design. She has created more than 40 projects for international airports — more than any other designer, her website states.
“Whereas Albers comes to color to explore, and Welliver to conquer, Doggett uses color as an open invitation,” her official biography reads.
Albers (1888–1976) attended and then taught at the Bauhaus, the art school in Germany that transformed modern design and emphasized the connection between artists, architects and craftspeople. He came to the United States in 1933 to teach at the innovative Black Mountain College in North Carolina, and was chairman of the Department of Design at the Yale University School of Art from 1950 to 1958, according to the Joesf & Anni Albers Foundation.
“The exhibit marks a significant occasion for the university in underscoring the importance of the Bauhaus school via Black Mountain College to current arts education here at UMaine and across North America,” says Michael Grillo, chair of the UMaine Department of Art.
The exhibit will include participation by artist Jane Lincoln of Cape Cod, Massachusetts, and is sponsored by Clement and Linda McGillicuddy. The opening reception is sponsored by Whitney and Tony Oppersdorf; Taylor Mudge; Shelia Geoffrion and Robert Lawson; and Wickham Skinner.
Lord Hall Gallery is open 9 a.m.–4:30 p.m. Monday through Friday. For more information or to request a disability accommodation, contact Grillo at 581.3246 or firstname.lastname@example.org.
Contact: Elyse Kahl, 207.581.3747
Gretchen Faulkner, director of the University of Maine’s Hudson Museum of Art, was interviewed by the Portland Press Herald for the article about a photography exhibit on display at Harvard, titled “Thoreau’s Maine Woods: A Journey in Photographs with Scot Miller.” Jane Pickering, Harvard Museum’s executive director, and Janis Sacco, the museum’s director of exhibits, believe when the exhibit closes in February 2015 it should travel to Maine, according to the article. Faulkner, who has not seen the exhibit, said the story of Thoreau’s journey through the Maine woods with Penobscot guides is important. “We would probably be interested in it,” she said. “It is definitely something on topic for the Hudson Museum, as our collection includes Maine Indian holdings and we have a Maine Indian gallery. It is the path Thoreau took that is central to the native people of Maine. Katahdin is sacred to them. Mainers should learn about that.”
A CD of Leone Sinigaglia’s chamber music performed by University of Maine artists Noreen Silver, cello, and Phillip Silver, piano, performing with violinist Solomia Soroka, was reviewed on MusicWeb International. Reviewer Jonathan Woolf notes, “these elegant readings set a standard for future Sinigaglia performances, and I truly hope that more will follow the lead of the intrepid Solomia Soroka and Noreen and Philip Silver.”